Microphone preamps
API 512c
Discrete mic, line and instrument preamp built around API’s 2520 amplifier and transformer-balanced output.
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Recording & studio.
Microphones, Hazelrigg, Neve and API preamps, analog processing, interfaces, studio monitoring, and recording connections.
114 models and accessories
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Equipment results
Dynamics
AudioScape 76A Deluxe
Boutique 1176 Rev A recreation, hand-built with NOS components and Cinemag transformers, with dry/wet blend for fast, characterful compression.
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AudioScape Opto Comp
Boutique LA-2A-style tube compressor, hand-built with NOS tubes, Cinemag transformers and a custom T4B optical cell for smooth vocal and bass leveling.
View detailsAudio interfaces & converters
Cranborne Audio 500ADAT
ADAT converter and eight-slot processing rack that expands a compatible recording interface and adds analog summing.
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Cranborne Audio 500R8
USB recording interface, analog summing mixer and eight-slot 500-series rack for a modular recording and mixing system.
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Hazelrigg Industries DLC
D.W. Fearn-derived tube and inductor EQ for fuller body, open highs and musical tone shaping, available as a stereo pair.
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Hazelrigg Industries DNE
D.W. Fearn VT-7-derived PWM compression for natural vocal and instrument dynamics, available as a stereo pair for stems and mixes.
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Hazelrigg Industries DVA
Tube-input mic preamp and DI with D.W. Fearn VT-2 heritage, available as a stereo pair for recording and re-preamping.
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Mäag PREQ4
Microphone preamp with up to 65 dB gain and switchable AIR BAND shelving for shaping brightness while tracking.
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Rupert Neve Designs 511
Mic preamp with adjustable Silk transformer coloration and a swept filter for controlling low-frequency buildup.
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sE Electronics RNT
Flagship tube condenser co-developed with Rupert Neve Designs, with 5088-console op-amps and nine polar patterns for detailed vocals, instruments and room capture.
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Serpent Audio SB4000
SSL-style stereo bus compressor built with genuine THAT VCAs, for mix cohesion, drum punch and controlled dynamics.
View detailsStudio signal processing
SPL BiG Model 1505
Stereo image processor for adjusting a mix’s apparent width and depth, with selectable bass enhancement.
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WesAudio _RHEA
Stereo vari-mu tube compression with Carnhill transformers, adjustable harmonic color and full digital recall for rich stems and cohesive mixes.
View detailsSignal distribution & snakes
32- and 48-channel audio splits
Channel options: 32 or 48 · Configuration: Split topology and connector layout specified for the system
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Alesis Midiverb 4
Conversion: 18-bit A/D and D/A · Internal processing: 24-bit · Programs: 128 factory and 128 user
View detailsPatchbays
ART P48
Format: 19-inch 1U passive patchbay · Channels: 24 linked input/output pairs · Connectors: Balanced 1/4-inch TRS
View detailsAudio interfaces & converters
Audient iD22
Compact USB interface with two mic preamps and balanced inserts for adding external preamps, EQ or compression.
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Audio-Technica AT61HE
Microphone for live performance applications.
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Audio-Technica AT853A
Transducer: Permanently polarized condenser · Pattern: Cardioid · Frequency response: 30 Hz–20 kHz
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Audio-Technica AT3035
Transducer: Large-diaphragm condenser · Pattern: Cardioid · High-pass filter: 80 Hz
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Audio-Technica AT4053A
Transducer: Externally polarized condenser · Pattern: Hypercardioid · Frequency response: 20 Hz–20 kHz
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Audio-Technica ATM75
Type: Headworn condenser · Pattern: Cardioid · Wired module: AT8531
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Audio-Technica ATM250DE
Elements: Dynamic and condenser · Patterns: Hypercardioid dynamic; cardioid condenser · Frequency response: 40 Hz–15 kHz dynamic; 40 Hz–20 kHz condenser
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Audix ADX51
Transducer: Pre-polarized condenser · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
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Audix D2
Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 68 Hz–18 kHz
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Audix D6
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 30 Hz–15 kHz
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Audix i5
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–16 kHz
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Audix OM2
Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 50 Hz–16 kHz
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Audix SCX1
Transducer: Condenser · Pattern: Cardioid, standard SCX1 capsule · Frequency response: 40 Hz–20 kHz
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Behringer X-Touch
Faders: Nine 100 mm touch-sensitive motorized faders · Displays: Eight LCD channel scribble strips · Connections: USB, MIDI and Ethernet
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beyerdynamic M160
Hypercardioid double-ribbon microphone for rounded guitar-cabinet and cymbal tones, clear attack and focused pickup.
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beyerdynamic M201
Transducer: Moving-coil dynamic · Pattern: Hypercardioid · Frequency response: 40 Hz–18 kHz
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dbx 166XL
Channels: 2; dual mono or stereo coupled · Processing: Compressor, expander/gate and separate PeakStop limiter · Compressor response: OverEasy or hard knee; manual/Auto timing
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dbx 231
Channels: Two 31-band, one-third-octave channels · Range: Selectable ±6 or ±12 dB · Low cut: 50 Hz, 12 dB/octave
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dbx 266XL
Channels: 2; dual mono or stereo linked · Compressor ratio: 1:1 through ∞:1 · Expander/gate ratio: 1:1 through 4:1
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dbx 266XS
Channels: Two, independent or stereo-linked · Dynamics: Compressor and expander/gate · Compression: OverEasy or hard-knee operation
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dbx 560A
Format: One-slot mono 500-series module · Detection: True RMS · Curves: OverEasy or hard knee
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Drum microphone package
Selection: Matched to drum sizes and required channels · Support: Mounts, stands and connection requirements specified together
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Electro-Voice ND96
Transducer: Large-diaphragm dynamic · Pattern: Supercardioid · Control: Vocal presence emphasis switch
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Empirical Labs DerreSser
Analog de-esser and high-frequency limiter for controlling sharp consonants, brittle guitars and other bright sources.
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Empirical Labs EL-RX DocDerr
Instrument and line-level processor combining EQ, compression and tape-like saturation, with a parallel blend control.
View detailsDirect boxes
EWI LDB-101
Channels: One active DI channel · Input: Quarter-inch TS with parallel thru · Output: Transformer-balanced XLR
View details500-series chassis
Fredenstein Bento 10S
Slots: Ten 500-series slots · Rack format: 19-inch, 2U · Routing: Switchable adjacent-module audio links
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Golden Age Project COMP-554 II
Circuit: Discrete Class-A diode-bridge compressor · Signal path: Input, interstage and output transformers · Format: Single channel, two 500-series slots
View detailsEqualization
Graphic equalizers
Function: Graphic equalization for PA mains and monitor feeds
View detailsAnalog coloration
Handsome Audio Zulu 500
Mono analog tape-style processor with selectable machine and formula settings, Headroom, Bias, and Enhance controls.
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LaChapell Audio 500DT
Mic and instrument preamp that blends a high-voltage tube path with a separate solid-state path.
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Lauten Audio LT-321 Horizon
Fixed-cardioid tube condenser with a full-bodied voice and selectable −10/−20 dB pads for vocals, acoustic instruments and cabinets.
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Lauten Audio Snare Mic
Compact cardioid condenser for snare body and stick attack, with onboard filters to manage cymbal spill and low-frequency bleed.
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Lindell Audio 7X-500VIN
Format: Mono 500-series FET compressor · Ratios: 4:1, 12:1 and 100:1 all-in mode · Detector filter: Off, 100 Hz or 300 Hz
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Lindell Audio LiN76
Circuit: Analog 76-style FET compressor · Ratios: 4:1, 8:1, 12:1, 20:1 and combinations · Attack: 20–800 microseconds
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Lindell Audio PEQ-501A
Format: Mono 500-series program EQ · Low frequencies: 20, 30, 60, 100 and 150 Hz · High frequencies: Selectable from 1–16 kHz
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Live performance microphone package
Selection: Vocals, instruments and direct inputs as required · Planning: Input list, mounting and console patch
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Meris Mercury7 500-Series Reverb
500-series digital reverb for plate ambience, long atmospheric tails, pitch-shifted textures and swelling transitions.
View details500-series chassis
Midas L10
Slots: Ten 500-series slots · Main I/O: XLR input and output per module · Auxiliary I/O: Additional XLR connections for compatible modules
View detailsMeasurement & system support
miniDSP UMIK-1
Pattern: Omnidirectional · Connection: USB Audio Class 1.0 · Calibration: Serial-specific 0° and 90° files
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Nady two-channel graphic equalizer
Type: Two-channel graphic equalizer
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Neumann KMS 104 Plus
Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
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Peavey 31FX
Channels / bands: 1 channel; 31 constant-Q bands · EQ range: 20 Hz–20 kHz; ±15dB per band · High-pass: 5–200 Hz variable; 12dB/octave
View detailsDAW controllers
PreSonus FaderPort V2
Fader: One touch-sensitive 100 mm motorized fader · Connection: USB 2.0 · Control: Transport, automation and Session Navigator
View detailsHeadphones & distribution
PreSonus HP60
Outputs: Six headphone channels · Shared sources: Two stereo input pairs · Individual feeds: External stereo input per channel
View detailsSignal distribution & snakes
Radial Catapult Mini RX
Channels: Four balanced analog channels · Network-style connector: RJ45, analog wiring rather than Ethernet audio · XLR connections: Male outputs
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Radial Catapult Mini TX
Channels: Four balanced analog channels · Network-style connector: RJ45, analog wiring rather than Ethernet audio · XLR connections: Female inputs
View detailsDirect boxes
Radial J48
DI type: Active · Circuit: Active analog, mono · Power: 48V phantom
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Radial JDI
DI type: Passive · Circuit: Mono passive transformer DI · Transformer: Jensen JT-DB-EPC
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Radial Pro48
Circuit: Mono active analog DI · Power: 48V phantom · Connections: 1/4-inch input/thru; balanced XLR output
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Radial stereo passive DI
Type: Stereo passive direct box · Selection: Source connectors and console inputs determine cabling
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Rane Mojo MQ302
Channels: Linked stereo; shared controls · Bands: 30 bandpass filters · Inputs: Balanced XLR or balanced/unbalanced 1/4-inch TRS
View detailsCamera audio & synchronization
RØDE VideoMic GO
Type: Line-gradient condenser · Pattern: Supercardioid · Frequency range: 100 Hz–16 kHz
View detailsMeasurement & system support
Rupert Neve Designs 5045
Architecture: Two-channel analog dynamics processor · Processing: Threshold-based attenuation with adjustable depth and timing · Channels: Two
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Rupert Neve Designs RNDI-S
Channels: Two active DI channels · Instrument inputs: Two 1/4-inch inputs, 2.2 MΩ · Additional input: 3.5 mm stereo
View detailsPatchbays
Samson S-Patch Plus
Format: 19-inch rackmount passive patchbay · Connectors: Quarter-inch TRS, front and rear · Modes: Normal, half-normal and thru
View detailsMicrophone support & acoustics
sE Electronics guitaRF
Function: Acoustic reflection filter and mic mount · Mounting: Dual-microphone positioning · Adjustments: Height, horizontal position and depth
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sE Electronics RF SPACE
Function: Portable acoustic reflection filter · Construction: Multilayer absorber/diffuser · Mount: Adjustable stand bracket
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sE Electronics X1-R
Transducer: Passive ribbon · Pattern: Figure-eight · Frequency range: 20 Hz–16 kHz
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Sennheiser e604
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
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Sennheiser e609
Transducer: Dynamic · Pattern: Supercardioid · Connection: 3-pin XLR
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Sennheiser e906
Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 40 Hz–18 kHz
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Sennheiser e935
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
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Shure Beta 52A
Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 20 Hz–10 kHz
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Shure Beta 57
Intended role: Instrument pickup
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Shure Beta 58
Intended role: Vocal pickup
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Shure Beta 91A
Transducer: Electret condenser · Pattern: Half-cardioid · Frequency response: 20 Hz–20 kHz
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Shure SM57
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–15 kHz
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Shure SM58
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–15 kHz
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Shure SM81
Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
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Shure SRH1840
Design: Open-back dynamic · Driver: 40 mm · Impedance: 65 Ω at 1 kHz
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Shure WH30
Transducer: Electret condenser · Pattern: Cardioid · Frequency response: 40 Hz–20 kHz
View detailsDynamics
Solid State Logic B-Series Dynamics
4000 B-derived compressor and gate/expander for shaping drum attack, controlling spill and adding more pronounced dynamics.
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Solid State Logic Ultraviolet EQ
Stereo analog EQ combining broad shelving with focused midrange control for stems and final mix balance.
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Solid State Logic VHD Pre
Format: Mono 500-series preamp · Coloration: Variable Harmonic Drive · Drive: Switchable VHD with second/third harmonic blend
View detailsHeadphones & distribution
Sony MDR-7506
Design: Closed-back dynamic · Drivers: 40 mm · Impedance: 63 Ω at 1 kHz
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Symetrix 421M
Function: Single-channel AGC leveler · Mic input: XLR with switchable 48 V phantom · Line input: Balanced TRS and screw terminals
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Symetrix 425
Channels: 2; independent or stereo coupled · Processing: Downward expander, RMS compressor and peak limiter · Compression ratio: 1:1–10:1
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TC Electronic M-One XL
Engines: 2 effects engines · Analog I/O: Balanced stereo XLR · Digital I/O: 24-bit S/PDIF on RCA
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TC Electronic M350
Effects: 15 reverb types + 15 delay/effects types · Engines: 2; serial or dual-input routing · Analog I/O: Balanced stereo 1/4-inch
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Trident 80B EQ
Format: Mono 500-series hardware EQ · Bands: Four · Low-mid sweep: 100 Hz–1.5 kHz
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Warm Audio Fen-tone
Transducer: Ribbon · Pattern: Figure-eight · Modes: VT passive / +dB active
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Warm Audio WA-44
Architecture: Studio ribbon microphone · Type: Passive ribbon · Pattern: Figure-eight
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Warm Audio WA-47jr
Type: Transformerless FET condenser · Patterns: Cardioid, omni and figure-eight · High-pass filter: 70 Hz
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Warm Audio WA-87 R2
Architecture: Transformer-balanced condenser · Pickup patterns: Cardioid, omni, figure-8 · Type: Large-diaphragm condenser
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Warm Audio WA73-EQ
Channels: One · Gain: Up to 80 dB · Signal path: Discrete, Carnhill transformer balanced
View detailsWaves processing
Waves Impact Server
Function: External SoundGrid plugin processing · Connection: SoundGrid Ethernet network · Audio interface: Separate compatible interface or console connection required
View detailsWaves processing
Waves Mobile Server
Function: SoundGrid plugin-processing server · Sample rates: 44.1, 48, 88.2 and 96 kHz in original hardware specification · Network: RJ45 Ethernet connection to SoundGrid network
View detailsSignal distribution & snakes
Whirlwind four-channel Cat5e system
Channels: 4 · Cable family: Cat5e
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Analog stage snakes and drop snakes
Channel options: 8, 12, 16 and 24 channels · Main snake length: 100 ft · Drop snake: 16 × 4, 50 ft
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Audio connector adapters
Connector options: 1/4-inch, RCA, XLR and speakON · XLR adapters: Male-to-male and female-to-female
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Event network cables and reels
Shielded Cat5 reel: 150 ft · Unshielded Cat5 reel: 250 ft · Cat6 snake: 6 inputs / 6 outputs
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Instrument and audio patch cables
Instrument cable lengths: 3, 10, 20 and 30 ft · Balanced patch option: 10 ft TRS-to-XLR male · Insert cable option: 10 ft TRS-to-dual-TS
View detailsMicrophone & speaker stands
Microphone mounts and drum clips
Options: LP Claw; On-Stage D50 drum clips
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Microphone stands
Formats: Tall boom, short boom, straight and tabletop boom · Base options: Round and triangular
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MIDI cables
Function: MIDI data connections
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XLR microphone cables
Options: Individual XLR leads and coordinated cable packages · Lengths: 3, 10, 20, 25, 30, 50 and 100 ft
View detailsPlan the full setup: PA and sound system rental · Full live sound and event production · Backline rental and delivery · Portable and mobile stage rentals