LED screens
16 × 9 ft LED video wall, 3.9 mm
Pixel pitch: 3.9 mm · Screen size: 16 × 9 ft
View detailsEQUIPMENT RENTALS
500+ models and accessories. Find equipment, compare models, and build your rental request.
Deposit, damage, late-return and cancellation terms are listed in your quote and confirmed before booking.
536 models and accessories
Send your dates for availability and a rental quote.
LED screens
Pixel pitch: 3.9 mm · Screen size: 16 × 9 ft
View detailsPA system packages
Adamson S10/S119 concert PA starting system with Lab.gruppen/Lake rack, Midas M32, three QSC K12 monitors and a 16-input band kit. Array design follows the venue.
View packagePA speakers & subwoofers
Adamson S10 dual-10-inch line-array cabinet for concert PA, used with S119 subwoofers and Lab.gruppen/Lake system processing.
View detailsPA system packages
Real-time vocal processing to help reduce feedback, room reverb and background noise. Available as an SSS rack rental, with optional setup and soundcheck.
View packageBass amplifiers

Format: Amplifier head · Power: 300 W RMS into 2 or 4 Ω · Power tubes: Six 6550
View detailsPreamps & DI
Discrete mic, line and instrument preamp built around API’s 2520 amplifier and transformer-balanced output.
View detailsSwitching, streaming & monitors
Check focus and exposure on set and record edit-friendly ProRes from a compatible camera feed.
View detailsSwitching, streaming & monitors
Monitor shots on set and capture ProRes or supported ProRes RAW footage for the edit.
View detailsOutboard processing
Boutique 1176 Rev A recreation, hand-built with NOS components and Cinemag transformers, with dry/wet blend for fast, characterful compression.
View detailsOutboard processing

Boutique LA-2A-style tube compressor, hand-built with NOS tubes, Cinemag transformers and a custom T4B optical cell for smooth vocal and bass leveling.
View detailsMixing consoles
Surface: 24 input faders, 8 output faders and main fader · Architecture: Profile surface, FOH Rack and Stage Rack · Maximum input processing: 96 input channels plus 16 stereo effects returns in the Profile system architecture
View detailsPA system packages

20 × 16 ft covered SL75 with stairs and skirting + QSC KLA PA; 3 independent monitor mixes. Stage delivery and setup included. Audience coverage is site-planned.
View packageInterfaces & converters
ADAT converter and eight-slot processing rack that expands a compatible recording interface and adds analog summing.
View detailsInterfaces & converters
USB recording interface, analog summing mixer and eight-slot 500-series rack for a modular recording and mixing system.
View detailsCameras, lenses & support
Type: Three-axis handheld camera stabilizer · Tested payload: 3 kg / 6.6 lb · Shooting orientation: Supports native vertical configuration
View detailsGuitar amplifiers

Output: 85 W · Speakers: 2×12-inch · Circuit: Tube guitar combo
View detailsKeyboards & vintage keys
Hammond organ with two keyboards and hands-on tone controls, used for jazz, gospel, soul and rock.
View detailsOutboard processing

D.W. Fearn-derived tube and inductor EQ for fuller body, open highs and musical tone shaping, available as a stereo pair.
View detailsOutboard processing

D.W. Fearn VT-7-derived PWM compression for natural vocal and instrument dynamics, available as a stereo pair for stems and mixes.
View detailsPreamps & DI

Tube-input mic preamp and DI with D.W. Fearn VT-2 heritage, available as a stereo pair for recording and re-preamping.
View detailsPA system packages
Adjustable lectern, Shure gooseneck microphone and speech-processing rig; connect to a compatible sound system.
View packageCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 42.5 mm; 85 mm full-frame equivalent angle of view · Maximum aperture: f/1.2
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 10–25 mm; 20–50 mm full-frame equivalent angle of view · Maximum aperture: f/1.7 throughout zoom range
View detailsPA system packages
2 QSC KW153 mains, 2 KW181 subs, 3 K12 monitors and a complete 16-input band kit.
View packagePreamps & DI
Microphone preamp with up to 65 dB gain and switchable AIR BAND shelving for shaping brightness while tracking.
View detailsMixing consoles
Mix architecture: 40 input channels; 25 mix buses · Local microphone preamps: 32 · System expansion: Compatible AES50 stage I/O
View detailsPA system packages

12 × 16 ft modular stage with stairs and skirting + QSC point-source PA; 3 independent monitor mixes. Stage delivery and setup included. Audience coverage is site-planned.
View packagePA system packages
2 QSC K12 powered speakers + 2 QSC KW181 subwoofers for DJ sets and recorded music.
View packageKeyboards & vintage keys

88-key weighted stage keyboard with piano, organ and synthesizer sounds for live performances.
View detailsCameras, lenses & support
Add a stabilized 4K angle or event stills to a multicamera shoot.
View detailsCameras, lenses & support
Add a low-light 4K performance or interview angle with V-Log L footage ready for color grading.
View detailsCameras, lenses & support
Capture matching performance angles with 5.7K ProRes RAW, 5.8K open gate, V-Log or ARRI LogC3 options.
View detailsDJ players & mixers
Display: 7-inch color touchscreen · Hot Cues: 8, in two banks · Audio files: MP3, AAC, WAV, AIFF, FLAC and ALAC
View detailsPA system packages
4 QSC KLA12 tops + 2 KLA181 subs, 3 K12 monitors and a 16-input band kit.
View packagePreamps & DI
Mic preamp with adjustable Silk transformer coloration and a swept filter for controlling low-frequency buildup.
View detailsMicrophones

Flagship tube condenser co-developed with Rupert Neve Designs, with 5088-console op-amps and nine polar patterns for detailed vocals, instruments and room capture.
View detailsOutboard processing
SSL-style stereo bus compressor built with genuine THAT VCAs, for mix cohesion, drum punch and controlled dynamics.
View detailsMixing consoles
Control surface: 24 input faders; Vistonics II and FaderGlow · Mix capacity: Up to 96 mono input channels and 35 output buses; depends on system configuration and software · Sample rate: 48 kHz
View detailsPA system packages
2 QSC K12 powered speakers for spoken word and background music.
View packageOutboard processing
Stereo image processor for adjusting a mix’s apparent width and depth, with selectable bass enhancement.
View detailsStages & risers
Covered SL75 stage with stairs and skirting; delivery and setup included. Wing decks and drum risers optional.
View detailsOutboard processing
Stereo vari-mu tube compression with Carnhill transformers, adjustable harmonic color and full digital recall for rich stems and cohesive mixes.
View detailsKeyboards & vintage keys

88-key stage piano with weighted keys and acoustic-piano sounds for band performances, ceremonies and recording.
View detailsPA system packages
Portable PA · Two 8-inch speakers · Detachable 8-channel powered mixer
View packagePA system packages
Portable PA · Two 10-inch speakers · Detachable 10-channel powered mixer
View packageStages & risers
3 × 3 ft modular panels for custom stage and riser layouts; stage delivery and setup included.
View detailsGenerators
Output: 5 kW
View detailsStages & risers
6 × 6 ft drum riser for a planned performance layout.
View detailsStages & risers
12 × 16 ft stage with stairs and skirting; delivery and setup included. Drum risers optional.
View detailsGenerators
Output: 20 kW
View detailsStageboxes, snakes & DI
Channel options: 32 or 48 · Configuration: Split topology and connector layout specified for the system
View detailsPower distribution
Distribution: 50A, single-phase
View detailsGenerators
Output: 52 kW
View detailsGenerators
Output: 85 kW
View detailsPower distribution
Distribution: 200A, three-phase
View detailsGuitars & basses
1993 Korean-made Les Paul for stage or studio rhythm and lead, with Seymour Duncan Antiquity humbuckers, locking tuners and a long neck tenon.
View detailsGuitars & basses
2003 Korean-made Les Paul for stage or studio rhythm and lead, with Seymour Duncan JB/’59 pickups and a long neck tenon.
View detailsStage lighting
Model designation: AC90 · Fixture type: LED PAR
View detailsPower amps & system processing
Lab.gruppen rack for the Adamson S10/S119 system: two PLM 12K44 amplifiers, one PLM 20K44 and Lake processing.
View detailsPA speakers & subwoofers
Adamson S119 19-inch subwoofer for the concert PA, deployed with S10 arrays and the dedicated system rack.
View detailsBass cabinets
Format: Speaker cabinet · Configuration: 4×10 with horn · Power handling: 700 W RMS
View detailsBass amplifiers
Format: Amplifier head; cabinet required · Power: 750 W at 4 Ω; 975 W at 2 Ω · Preamp: Tube
View detailsBass amplifiers
Format: Amplifier head · Power: 500 W at 4 Ω; 250 W at 8 Ω (original model) · EQ: Bass, treble and sweepable midrange
View detailsElectronic percussion
Pads: 16 velocity- and pressure-sensitive pads · Sampling: 16-bit / 44.1 kHz · Architecture: Sampler and MIDI sequencer
View detailsElectronic percussion
Sound library: 540 drum, percussion and cymbal sounds · Trigger inputs: 12 1/4-inch inputs · Audio outputs: Two stereo output pairs
View detailsOutboard processing
Conversion: 18-bit A/D and D/A · Internal processing: 24-bit · Programs: 128 factory and 128 user
View detailsMixing consoles
Type: Analog live mixer
View detailsMixing consoles
Surface: 12 faders across 6 layers · Screen: 12-inch capacitive touchscreen · Local analog I/O: 6 microphone/line inputs and 6 line outputs
View detailsMixing consoles
Input frame: 22 mono mic/line + 2 mic/dual-stereo strips · Groups: 4 · Aux sends: 6
View detailsBass cabinets
Configuration: 8×10 · Mono rating: 800 W RMS at 4 Ω · Split sections: Two 4×10 sections, each 400 W RMS at 8 Ω
View detailsBass amplifiers
Power: 300 W RMS into 2 or 4 Ω · Channels: 1969 and 1975 preamp circuits · Power tubes: Six 6550
View detailsBass amplifiers
Rated output: 450 W RMS into 4 Ω; 275 W RMS into 8 Ω (3% THD) · Minimum speaker load: 4 Ω total · Tone shaping: Bass, midrange and treble controls; five selectable mid frequencies; switchable 9-band graphic EQ
View detailsBass amplifiers
Format: Amplifier head · Power-amp modes: Stereo, dual mono and mono bridge · EQ: Three-band tone controls plus nine-band graphic EQ
View detailsBass cabinets
Drivers: Four 10-inch bass drivers plus high-frequency horn · Power handling: 500 W RMS · Nominal impedance: 4 Ω
View detailsBass cabinets
Format: Speaker cabinet · Configuration: 8×10 · Mono rating: 800 W RMS at 4 Ω
View detailsBass cabinets
Drivers: 4×10 + 1×15 + horn · Full-range load: 8 Ω in manufacturer wiring reference · Bi-amp loads: Two 4 Ω sections
View detailsMonitoring & patching
Format: 19-inch 1U passive patchbay · Channels: 24 linked input/output pairs · Connectors: Balanced 1/4-inch TRS
View detailsStage lighting
Type: Audience blinder / warm-white wash
View detailsInterfaces & converters
Compact USB interface with two mic preamps and balanced inserts for adding external preamps, EQ or compression.
View detailsMicrophones
Microphone for live performance applications.
View detailsMicrophones
Transducer: Permanently polarized condenser · Pattern: Cardioid · Frequency response: 30 Hz–20 kHz
View detailsMicrophones
Transducer: Large-diaphragm condenser · Pattern: Cardioid · High-pass filter: 80 Hz
View detailsMicrophones
Transducer: Externally polarized condenser · Pattern: Hypercardioid · Frequency response: 20 Hz–20 kHz
View detailsMicrophones
Type: Headworn condenser · Pattern: Cardioid · Wired module: AT8531
View detailsMicrophones
Elements: Dynamic and condenser · Patterns: Hypercardioid dynamic; cardioid condenser · Frequency response: 40 Hz–15 kHz dynamic; 40 Hz–20 kHz condenser
View detailsMicrophones
Transducer: Pre-polarized condenser · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 68 Hz–18 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 30 Hz–15 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–16 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 50 Hz–16 kHz
View detailsMicrophones
Transducer: Condenser · Pattern: Cardioid, standard SCX1 capsule · Frequency response: 40 Hz–20 kHz
View detailsMixing consoles
Onboard analog inputs: 48 microphone/line inputs · Control surface: 26 motorized faders · Computer connection: Legacy FireWire recording/playback; requires a compatible host and software
View detailsStage lighting
Type: Battery-powered LED PAR
View detailsKeyboards & vintage keys
Analog synthesizer for bass, lead and experimental sounds. Connect a compatible keyboard or sequencer for note control.
View detailsKeyboards & vintage keys
Analog synthesizer for bass and lead parts, with onboard sequencing and an arpeggiator.
View detailsStageboxes, snakes & DI
Microphone inputs: 16 remotely controlled preamps · Analog outputs: 8 balanced XLR · Audio network: AES50; compatible mixer, sample rate and cabling required
View detailsKeyboard amps, stands & controllers
Keys: 32 · Connections: USB, MIDI and CV · Sequencer: 64 steps
View detailsMixing consoles
Mix channels: 48 stereo-capable channels · Buses: 28 stereo buses · Local analog I/O: 24 microphone preamps; 8 outputs
View detailsMonitoring & patching
Faders: Nine 100 mm touch-sensitive motorized faders · Displays: Eight LCD channel scribble strips · Connections: USB, MIDI and Ethernet
View detailsMixing consoles
Mix architecture: 40 inputs; 25 buses · Local microphone preamps: 32 · Surface: 25 motorized faders
View detailsMixing consoles
Mix architecture: 40 inputs; 25 buses · Local microphone preamps: 16 · Format: Rack mixer; remote control rather than a full fader surface
View detailsMicrophones
Hypercardioid double-ribbon microphone for rounded guitar-cabinet and cymbal tones, clear attack and focused pickup.
View detailsMicrophones
Transducer: Moving-coil dynamic · Pattern: Hypercardioid · Frequency response: 40 Hz–18 kHz
View detailsSwitching, streaming & monitors
Function: Live production switching
View detailsGuitar amplifiers
Output: 50 W · Channels: Clean and overdrive · Tone shaping: Bass, middle, treble and ISF on overdrive channel
View detailsGuitar cabinets
Drivers: Four 12-inch Celestion speakers in manufacturer HTV specification · Connection modes: Mono or stereo · Format: Passive guitar cabinet
View detailsPedals & backline accessories
Format: Pedalboard and protective case · Pedal mounting: Customizable foam · Signal junctions: Input and mono/stereo outputs
View detailsKeyboard amps, stands & controllers
Function: Foot-operated volume control
View detailsCameras, lenses & support
Adapter type: Optical focal reducer · Compatibility requirements: Lens mount, camera mount, sensor coverage and recording mode
View detailsLighting control & support
Function: Lighting programming and control · Type: Lighting control console
View detailsStage lighting
Heads: 4 independently adjustable · Color source: Red, green and blue LEDs · DMX modes: 3 or 15 channels
View detailsStage lighting
Format: Bar-mounted stage wash · Support: Stand
View detailsLED screens
Pixel pitch: 2 mm · Screen size: 10 × 7 ft
View detailsStage lighting
Model designation: 75 W · Fixture type: Manually operated followspot
View detailsAtmospherics
Model family: Chauvet 1250 · Function: Fog effects · Accessory: Remote
View detailsStage lighting
Color effects: RGB plus center effect · DMX channels: 6 · DMX connection: 3-pin XLR
View detailsStage lighting
Effects: Two LED pars, two derby heads, red/green laser and four white strobes · DMX modes: 3, 9 or 20 channels · DMX connection: 3-pin XLR
View detailsAtmospherics
Fluid: Compatible water-based fog fluid · Tank: 1.3 liters · Typical warm-up: 5 minutes
View detailsStage lighting
Options: EZ-MIN; Scorpion · Function: Laser effect lighting
View detailsStage lighting
Format: Two moving heads on one bar · Effects: Independent color and gobo wheels · Control: DMX or built-in programs
View detailsStage lighting
Effects: RGBAW derby, red/green laser and white strobe · DMX channels: 9 · DMX connection: 3-pin XLR
View detailsStage lighting
Effect: Rotating RGB LED moonflower · DMX channels: 6 · DMX connection: 3-pin XLR
View detailsStage monitoring & communications
Function: Production crew intercom · Configuration: Stations, headsets, power and routing specified for the job
View detailsCameras, lenses & support
Tool type: Physical video color-reference target
View detailsPA speakers & subwoofers
Format: Passive two-way · LF driver: 15 inches · Nominal impedance: 8 Ω
View detailsStage lighting
Scope: Fixtures, support and controls selected for the event
View detailsGuitars & basses
Classical, fingerstyle and ceremony parts; full-size nylon-string C5 with 650 mm scale and 52 mm nut. Amplification needs a mic or confirmed pickup.
View detailsGuitars & basses
Instrument: Acoustic upright/double bass · Playing approaches: Pizzicato or arco
View detailsPedals & backline accessories
Effect: Wah filter · Control: Foot-operated rocker · Format: Instrument effects pedal
View detailsPedals & backline accessories
Processing: Bass distortion and compression · Cabinet processing: IR loader · Console connection: Balanced XLR DI
View detailsOutboard processing
Channels: 2; dual mono or stereo coupled · Processing: Compressor, expander/gate and separate PeakStop limiter · Compressor response: OverEasy or hard knee; manual/Auto timing
View detailsOutboard processing
Channels: Two 31-band, one-third-octave channels · Range: Selectable ±6 or ±12 dB · Low cut: 50 Hz, 12 dB/octave
View detailsOutboard processing
Channels: 2; dual mono or stereo linked · Compressor ratio: 1:1 through ∞:1 · Expander/gate ratio: 1:1 through 4:1
View detailsOutboard processing
Channels: Two, independent or stereo-linked · Dynamics: Compressor and expander/gate · Compression: OverEasy or hard-knee operation
View detailsOutboard processing
Format: One-slot mono 500-series module · Detection: True RMS · Curves: OverEasy or hard knee
View detailsPower amps & system processing
Inputs: 2 balanced XLR line inputs + front RTA mic input · Outputs: 2 XLR main + 2 XLR sub outputs · DSP: Crossover/filtering, EQ, AFS feedback control and dynamics
View detailsCamera audio & sync
Timecode: SMPTE timecode · Connection: Locking 3.5 mm TRS timecode I/O · Sync: Wireless or wired jam sync
View detailsDJ players & mixers
Mixer channels: 4 · Input matrix: 8 assignable source inputs · Sampler: Up to 8 seconds
View detailsPedals & backline accessories
Channels: Two · Controls: Independent gain and master levels · Outputs: Guitar-amp input and power-amp destinations
View detailsDJ accessories
Options: Ortofon and Shure White Label styli
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 15 mm · Lens type: Prime
View detailsLighting control & support
Function: DMX signal distribution
View detailsMicrophones
Selection: Matched to drum sizes and required channels · Support: Mounts, stands and connection requirements specified together
View detailsDrum hardware
Options: Cymbal boom attachments, hi-hat clutches, clamps, tom mounts and drum keys · Additional option: Lifter for an 18-inch bass drum
View detailsDrum hardware
Type: Drum sound screen
View detailsDrum hardware
Format: Convertible boom / straight · Base: Double-braced
View detailsDrum hardware
Pedal type: Single bass-drum pedal · Drive: Single chain · Adjustment: Spring tension
View detailsDrum hardware
Format: Convertible boom / straight · Base: Double-braced
View detailsDrum hardware
Adjustment: Pneumatic height · Base: Four legs · Seat: Tractor style
View detailsDrum hardware
Format: Boom stand · Tilter: Toothless with TechLock · Setup recall: Hinged memory locks
View detailsDrum hardware
Seat: 14-inch round top · Height range: 20–27.5 inches · Base: Double-braced tripod
View detailsDrum hardware
Adjustment: Pneumatic height · Seat: Saddle / tractor style · Base: Four-leg AirLift design
View detailsBass cabinets
Drivers: 15-inch XLT plus aluminum tweeter · Power handling: 400 W · Frequency response: 46 Hz–14 kHz
View detailsBass cabinets
Drivers: 4×10 plus horn · Power handling: 700 W · Impedance options: 4 Ω or 8 Ω
View detailsBass amplifiers
Tone controls: Enhance control; bass and treble · Midrange: Adjustable frequency and level · Direct recording: DI connection
View detailsBass amplifiers
Tone controls: Enhance voicing and adjustable EQ · Midrange: Adjustable frequency and level · Direct recording: DI connection
View detailsPedals & backline accessories
Effect: Analog fuzz and sustain · Controls: Volume, Tone and Sustain · Format: Instrument effects pedal
View detailsPedals & backline accessories
Effect: Polyphonic octave generation · Pitch layers: One octave up and one octave down · Routing: Separate dry and effect outputs
View detailsMicrophones
Transducer: Large-diaphragm dynamic · Pattern: Supercardioid · Control: Vocal presence emphasis switch
View detailsPA speakers & subwoofers
Format: Powered two-way · LF driver: 15 inches · Coverage: 80° horizontal × 55° vertical
View detailsOutboard processing
Analog de-esser and high-frequency limiter for controlling sharp consonants, brittle guitars and other bright sources.
View detailsOutboard processing
Instrument and line-level processor combining EQ, compression and tape-like saturation, with a parallel blend control.
View detailsTents, furniture & site
Sizes: 10 and 19 inches
View detailsAtmospherics
Function: Atmospheric haze · Includes: Haze fluid
View detailsTents, furniture & site
Type: Sandbag ballast · Weight: 20 lb
View detailsTents, furniture & site
Tables: 6 ft · Seating: Folding chairs; 30-inch bar stools
View detailsTruss & rigging
Configurations: Truss sections and roof-system configurations · Truss options: 12-inch truss in 10 ft sections; 30 ft medium-duty truss; 8 ft box truss with foot plate · Roof option: Truss roof system
View detailsStageboxes, snakes & DI
Channels: One active DI channel · Input: Quarter-inch TS with parallel thru · Output: Transformer-balanced XLR
View detailsGuitar amplifiers
Configuration: 4 × 10 in · Speakers: 4×10 · Input channels: Normal and Bright; high/low inputs
View detailsGuitar amplifiers
Power: 100 W RMS into internal 8 Ω system · Drivers: 8-inch speaker and piezo horn · Inputs: Instrument and microphone/instrument channels
View detailsGuitar amplifiers
Output: 40 W · Speaker format: 1×12 · Channels: Normal and Drive
View detailsGuitar amplifiers
Format: 1×12 guitar combo · Effects: Reverb and vibrato · Input layout: Normal and Vibrato channels on traditional models
View detailsGuitar amplifiers
Output: 40 W · Speakers: 1×12 · Voicings: Normal, Drive and More Drive
View detailsGuitar amplifiers
Output: 40 W · Speaker: 1×12-inch Celestion A-Type · Circuit: Tube combo
View detailsGuitar amplifiers
Output: 60 W · Speakers: 2×12 · Voicings: Normal, Drive and More Drive
View detailsGuitar amplifiers
Output: 60 W · Speakers: 4×10 · Voicings: Normal, Drive and More Drive
View detailsGuitars & basses
Country and roots rhythm or single-coil leads; Player II Telecaster with Alnico V pickups, maple fingerboard and brass saddles.
View detailsGuitars & basses
Choose between a bridge humbucker and two single-coil pickups for rhythm and lead tones; HSS Stratocaster with locking tuners and tremolo.
View detailsKeyboards & vintage keys
73-key vintage electric piano for soul, jazz, pop and recording. Requires an external amp or a suitable DI/preamp.
View detailsKeyboards & vintage keys
73-key Rhodes electric piano with its own powered speaker base, for live playing and recording.
View detailsKeyboards & vintage keys
88-key Rhodes electric piano with its own powered speaker base, for live playing and recording.
View detailsGuitar amplifiers
Output: 200 W into 4 Ω · Speaker: 15-inch · EQ: Bass, treble, semi-parametric mid and EQ Tilt
View detailsGuitar amplifiers
Speakers: 4×10 · Effects: Reverb and vibrato
View detailsGuitar amplifiers
Format: 2×12 guitar combo · Effects: Reverb; effects connections · Output matching: Selectable 4, 8 or 16 Ω amplifier load
View detailsGuitar amplifiers
Output: 100 W or 25 W RMS · Speaker format: 2×12 · Channels: Two
View detailsGuitar amplifiers
Output: 60 W · Speakers: 3×10 · Reverb: Dwell, Mix and Tone controls
View detailsCameras, lenses & support
Support type: Tripod with fluid pan-and-tilt head · Selection requirements: Complete rig weight, working height, surface and plate interface
View detailsOutboard processing
Slots: Ten 500-series slots · Rack format: 19-inch, 2U · Routing: Switchable adjacent-module audio links
View detailsPedals & backline accessories
Style: French / overhand · Instrument size: 3/4 upright bass
View detailsPower distribution
Outlets: 8 rear and 1 front · Current rating: 15A total · Metering: Digital incoming-AC voltmeter
View detailsBass amplifiers
Format: Solid-state bass amplifier head · Tone shaping: Active EQ · Speaker system: External cabinet required
View detailsBass cabinets
Configuration: 4×10 bass cabinet · Format: Passive enclosure
View detailsBass amplifiers
Main amplifier: 480 W at 4 Ω · Horn amplifier: 50 W · Circuit: Solid-state bass head
View detailsBass amplifiers
Format: Amplifier head · Low-frequency amplifier: 300 W; 4 Ω minimum load · High-frequency amplifier: 100 W; 8 Ω minimum load
View detailsBass amplifiers
Format: Amplifier head · Woofer amplifier: 700 W at 4 Ω · Horn amplifier: 50 W
View detailsBass cabinets
Drivers: Four 12-inch neodymium woofers · Nominal impedance: 4 Ω on current manufacturer specification · Horn: Variable attenuator
View detailsDJ players & mixers
Stereo channels: 4 · Inputs: 3 switchable phono/line, 5 line and 2 microphone · EQ: Dual seven-band graphic equalizers; microphone bass/treble controls
View detailsBass cabinets
Drivers: Four 10-inch neodymium bass drivers · High frequencies: Tweeter · Power handling: 1000 W RMS
View detailsPedals & backline accessories
Style: German / underhand · Instrument size: 3/4 upright bass
View detailsDrum hardware
Configuration: Drum throne with backrest
View detailsDrum hardware
Adjustment type: Hydraulic height
View detailsDrum hardware
Gibraltar Tallboy snare stand for a standing percussion position.
View detailsCameras, lenses & support
Filter type: Optical diffusion · Selection requirements: Diffusion strength and lens-thread or matte-box format
View detailsTruss & rigging
Options: 8 ft box truss with base plate; 20 × 20 ft configuration
View detailsOutboard processing
Circuit: Discrete Class-A diode-bridge compressor · Signal path: Input, interstage and output transformers · Format: Single channel, two 500-series slots
View detailsOutboard processing
Function: Graphic equalization for PA mains and monitor feeds
View detailsGuitars & basses
P-90 rhythm, lead and layered parts; G5210-P90 with dual P-90E pickups, chambered body and wraparound bridge.
View detailsPedals & backline accessories
Type: Guitar amplifier sound screen
View detailsPedals & backline accessories
Type: Amplifier support stand
View detailsPedals & backline accessories
Stand options: Individual guitar stands; Hercules stand · Rack: 6-space roadcase-style rack
View detailsKeyboard amps, stands & controllers
Components: Bench and pedalboard
View detailsKeyboard amps, stands & controllers
Function: Organ expression control · Compatibility: Matched Hammond organ
View detailsKeyboards & vintage keys
Portable 61-key digital organ with drawbars to shape the sound and a built-in rotary-speaker effect.
View detailsDrum kits, snares & percussion
Type: Auxiliary hand percussion
View detailsOutboard processing
Mono analog tape-style processor with selectable machine and formula settings, Headroom, Bias, and Enhance controls.
View detailsBass cabinets
Driver: 15-inch aluminum cone · Power handling: 300 W · Impedance: 8 Ω
View detailsBass cabinets
Drivers: Four 10-inch aluminum cones · Power handling: 400 W · Frequency response: 30 Hz–5 kHz
View detailsKeyboards & vintage keys
60-key Clavinet with a short, percussive sound for funk and soul parts.
View detailsGuitars & basses
Strings: Five · Fingerboard: Fretless · Pickups: Dual pickup configuration
View detailsGuitars & basses
Strings: Four · Pickups: Bartolini MK-1 · Electronics: Active three-band EQ
View detailsPedals & backline accessories
Effect: Analog overdrive · Controls: Overdrive, Tone and Level · Power: 9 V battery or compatible DC supply
View detailsPedals & backline accessories
Processing: Amp and cabinet modeling · Cabinet options: IR loader · Control: MIDI input/output
View detailsStages & risers
4 × 4 ft modular decks with folding riser supports for stage and riser layouts; stage delivery and setup included.
View detailsPA speakers & subwoofers
Format: Self-powered bass-reflex subwoofer · Driver: 18-inch JBL 2044E · Amplifier: 500 W continuous / 1000 W peak manufacturer rating
View detailsPA speakers & subwoofers
Format: Passive bass-reflex subwoofer · Driver: 18 inches · Nominal impedance: 8 Ω
View detailsPedals & backline accessories
Effects: Automatic double tracking, detune and slapback · Reverb: Chamber · Routing: Mono and stereo modes
View detailsPedals & backline accessories
Delay time: Up to 650 ms · Delay character: Modulated · Reverb modes: Spring, Shimmer and Modulated
View detailsPedals & backline accessories
Effect: Analog compression · Parallel control: Blend · Tone shaping: Tone control
View detailsKeyboard amps, stands & controllers
Keyboard stand selected around the instrument and playing height.
View detailsKeyboard amps, stands & controllers
Options: Boss and Hammond volume pedals
View detailsKeyboards & vintage keys
Engine: Korg AI² synthesis with waveshaping · Keyboard: 61 keys · Sequencer: 16 tracks
View detailsPedals & backline accessories
Type: Rack chromatic tuner · Inputs: Front and rear 1/4-inch input; front takes priority · Tuning functions: Adjustable reference pitch and up to seven-flat tuning
View detailsKeyboards & vintage keys
88-key weighted keyboard combining piano, electric piano, organ and synthesizer sounds for live performance and recording.
View detailsKeyboards & vintage keys
61-key keyboard for M1 piano, organ and synthesizer sounds, with a built-in sequencer for arranging parts.
View detailsKeyboards & vintage keys
Keyboard: 37 mini keys · Synthesis: DSP analog modeling; vocoder · Polyphony: Four voices
View detailsKeyboard amps, stands & controllers
Sequencer: Two rows of eight steps · Analog control: Dual CV and gate outputs · Digital control: MIDI and USB
View detailsKeyboards & vintage keys
Keyboard: 73-key RH3 weighted hammer action · Sounds: 36 factory selections across six banks · Polyphony: Up to 80 notes
View detailsKeyboards & vintage keys
Keyboard: 61-key Trinity Plus format · Engine: ACCESS sample-based synthesis; Solo synth option associated with Plus · Sequencer: 16 tracks
View detailsKeyboards & vintage keys
Keyboard: 61 keys with velocity and aftertouch · Engine: HI synthesis; 62-voice single-mode polyphony · Sequencer: 16 tracks
View detailsKeyboards & vintage keys
Engine: HI synthesis with Valve Force tube processing · Sequencer: 16-track workstation sequencer · Analog outputs: Stereo main plus four individual outputs
View detailsKeyboards & vintage keys
Keyboard: 76 keys with velocity and aftertouch · Engine: HI synthesis; 62-voice single-mode polyphony · Sequencer: 16 tracks
View detailsKeyboards & vintage keys
Keyboard: 76-key K2500S format · Synthesis: V.A.S.T. · Sampling: Factory sampling option in S model
View detailsKeyboards & vintage keys
Keyboard: 88 weighted keys with channel pressure · Polyphony: 64 voices standard · Performance setup: Four MIDI zones; quick split/layer
View detailsKeyboards & vintage keys
Keyboard: 88 weighted keys with velocity and aftertouch · Internal sounds: 64 base sounds · Polyphony: Up to 32 notes in stereo
View detailsPower amps & system processing
Amplifier channels: 4 · Total burst power: 12,000 W across all channels; allocation controlled by RPM · Per-channel output: 3,000 W at 4 Ω / 1,900 W at 8 Ω, maximum all-channels-driven figures
View detailsPower amps & system processing
Amplifier channels: 4 · Total burst power: 20,000 W across all channels; allocation controlled by RPM · Per-channel output: 4,400 W at 4 Ω / 2,300 W at 8 Ω, maximum all-channels-driven figures
View detailsPreamps & DI
Mic and instrument preamp that blends a high-voltage tube path with a separate solid-state path.
View detailsDJ accessories
Formats: Adjustable and tabletop options · Options: Gibraltar adjustable stand; tabletop stand
View detailsMicrophones
Fixed-cardioid tube condenser with a full-bodied voice and selectable −10/−20 dB pads for vocals, acoustic instruments and cabinets.
View detailsMicrophones
Compact cardioid condenser for snare body and stick attack, with onboard filters to manage cymbal spill and low-frequency bleed.
View detailsTents, furniture & site
Type: Presentation lectern
View detailsStage lighting
Source type: COB LED · Function: Blinder effect
View detailsStage lighting
Fixture family: LED PAR64 · Options: Individual fixtures or stand-mounted setup · Fixture format: 8-inch LED slim PAR64
View detailsSwitching, streaming & monitors
Function: LED display video processing
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 9 mm; 18 mm full-frame equivalent angle of view · Maximum aperture: f/1.7
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 35–100 mm; 70–200 mm full-frame equivalent angle of view · Maximum aperture: f/2.8 throughout zoom range
View detailsKeyboard amps, stands & controllers
System: Rotating treble horn and bass rotor · Woofer format: 15-inch bass driver in the classic design · Speed modes: Slow chorale and fast tremolo
View detailsKeyboard amps, stands & controllers
System: Rotating treble horn and bass rotor · Woofer format: 15-inch bass driver in the classic design · Speed modes: Slow chorale and fast tremolo
View detailsLighting control & support
Stand format: Tripod crank stand with T-bar · Lift options: Medium-duty and heavy-duty lifts
View detailsOutboard processing
Format: Mono 500-series FET compressor · Ratios: 4:1, 12:1 and 100:1 all-in mode · Detector filter: Off, 100 Hz or 300 Hz
View detailsOutboard processing
Circuit: Analog 76-style FET compressor · Ratios: 4:1, 8:1, 12:1, 20:1 and combinations · Attack: 20–800 microseconds
View detailsOutboard processing
Format: Mono 500-series program EQ · Low frequencies: 20, 30, 60, 100 and 150 Hz · High frequencies: Selectable from 1–16 kHz
View detailsMicrophones
Selection: Vocals, instruments and direct inputs as required · Planning: Input list, mounting and console patch
View detailsDrum kits, snares & percussion
Series: Classic · Type: Conga package
View detailsDrum kits, snares & percussion
Series: Matador · Type: Conga package
View detailsDrum kits, snares & percussion
Configuration: 13 and 14 in · Drum diameters: 13 and 14 inches · Shell depth: 6.5 inches
View detailsDrum kits, snares & percussion
Configuration: 14 and 15 in · Drum diameters: 14 and 15 inches · Shell depth: 6.5 inches
View detailsKeyboard amps, stands & controllers
49-key controller for playing software instruments or compatible MIDI sound modules. It does not make sound on its own.
View detailsKeyboard amps, stands & controllers
61-key controller for playing software instruments or compatible MIDI sound modules. It does not make sound on its own.
View detailsMixing consoles
Inputs: 8-channel analog layout; 3 Onyx microphone preamps · Mic gain: Up to 60 dB · Channel EQ: 3-band: 80 Hz, 2.5 kHz, 12 kHz
View detailsPA speakers & subwoofers
Format: Powered two-way loudspeaker · LF driver: 10 inches · Use: Main PA or floor monitor
View detailsDrum kits, snares & percussion
Configuration: 14 × 5.5 in · Type: Snare drum · Size: 14 × 5.5 inches
View detailsGuitar cabinets
Format: Speaker cabinet · Configuration: 4 × 12 in; slanted · Drivers: 4×12 Celestion G12T-75 in factory specification
View detailsGuitar cabinets
Configuration: 4×12 · Cabinet shape: Angled · Speakers: Celestion Greenback
View detailsGuitar cabinets
Configuration: 4×12-inch guitar cabinet · Installed speakers: Celestion G12T-75 · Cabinet shape: Angled
View detailsGuitar cabinets
Format: Speaker cabinet · Configuration: 4 × 12 in; straight · Drivers: 4×12 Celestion G12T-75 in factory specification
View detailsGuitar cabinets
Configuration: 4×12 · Factory drivers: Celestion G12 Vintage · Power handling: 280 W mono
View detailsGuitar amplifiers
Output modes: 40 W or 20 W · Speaker: 1×12-inch Celestion V-Type · Channels: Classic Gain and Ultra Gain
View detailsGuitar amplifiers
Series: Marshall JCM800 · Rated model power: 50 W · Format: Valve guitar head; matching cabinet required
View detailsGuitar amplifiers
Series: Marshall JCM800 · Rated model power: 100 W · Format: Valve guitar head; matching cabinet required
View detailsGuitar amplifiers
Format: Amplifier head · Rated output: 100 W · Channels: Two
View detailsGuitar amplifiers
Format: Amplifier head · Rated output: 50 W · Channels: Two
View detailsGuitar amplifiers
Format: Valve guitar head · Level control: Switchable master volumes · Nominal model output: 100 W
View detailsGuitar amplifiers
Output: 50 W · Channels: Classic Gain and Ultra Gain · Voicings: Four modes
View detailsGuitar amplifiers
Format: Amplifier head · Rated output: 100 W · Channels: Classic Gain and Ultra Gain; two modes each
View detailsStage lighting
Effect: Strobe
View detailsOutboard processing
500-series digital reverb for plate ambience, long atmospheric tails, pitch-shifted textures and swelling transitions.
View detailsGuitar cabinets
Configuration: 1×12 guitar cabinet · Type: Passive enclosure · Compatibility: Amplifier impedance and power matching required
View detailsGuitar amplifiers
Series: Mesa Dual Rectifier · Nominal full output: 100 W in standard Solo Head models · Rectification: Tube or silicon-diode selection
View detailsGuitar amplifiers
Full rated output: 85 W · Channels: Rhythm 1, Rhythm 2 and Lead · EQ: Channel tone controls and five-band graphic EQ
View detailsGuitar amplifiers
Series: Mesa Triple Rectifier · Nominal full output: 150 W in standard Solo Head models · Rectification: Tube or silicon-diode selection
View detailsStageboxes, snakes & DI
Microphone inputs: 16 remotely controlled Midas preamps on XLR · Analog outputs: 8 balanced XLR · Audio network: Dual AES50 ports; 44.1/48 kHz operation
View detailsStageboxes, snakes & DI
Microphone inputs: 32 remotely controlled preamps on balanced XLR · Analog outputs: 16 balanced XLR line outputs · Digital audio: 24-bit; 44.1/48 kHz
View detailsStageboxes, snakes & DI
Analog I/O: 16 balanced XLR microphone/line inputs; 8 balanced XLR line outputs · Rack format: 2U · Digital connections: AES50 with redundant network facilities
View detailsStageboxes, snakes & DI
Analog microphone/line inputs: 24 · Analog outputs: 72 · Per-input preamplifiers: Two independently controlled preamps plus a fixed-gain preamp path
View detailsOutboard processing
Slots: Ten 500-series slots · Main I/O: XLR input and output per module · Auxiliary I/O: Additional XLR connections for compatible modules
View detailsMixing consoles
Processing: 64 input channels · Mix buses: 27 · Sample rate: 96 kHz
View detailsMixing consoles
Processing: 168 input channels · Mix buses: 99 · Sample rate: 96 kHz
View detailsPower amps & system processing
Pattern: Omnidirectional · Connection: USB Audio Class 1.0 · Calibration: Serial-specific 0° and 90° files
View detailsCameras, lenses & support
Filter type: Optical diffusion · Selection requirements: Desired strength, focal length and mounting format
View detailsPower distribution
Type: Rack power conditioner
View detailsPower distribution
Type: Rack power conditioner
View detailsPedals & backline accessories
Routing: A, B or A+B · Direction: One-to-two or two-to-one · Circuit: Passive signal routing
View detailsStage lighting
Fixture type: Moving beam
View detailsStage lighting
Source family: LED · Fixture type: Moving-head wash
View detailsPedals & backline accessories
Options: Music stands; stand lights
View detailsOutboard processing
Type: Two-channel graphic equalizer
View detailsKeyboard amps, stands & controllers
49-key controller for playing compatible software instruments. Requires a computer or another supported sound source.
View detailsMicrophones
Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
View detailsKeyboards & vintage keys
73-key stage keyboard for acoustic piano, electric piano, clavinet and organ parts.
View detailsKeyboards & vintage keys

73-key stage keyboard for organ, piano and sampled instrument sounds. Combine two sounds or play different sounds on different parts of the keyboard.
View detailsKeyboards & vintage keys
Keyboard: Four-octave velocity and aftertouch-sensitive keybed · Polyphony: 24 voices; four parts · Synthesis: Virtual analog and two-/four-operator FM
View detailsKeyboards & vintage keys
Keyboard: 88-key hammer action with aftertouch · Sections: Organ, piano and synth; two slots · Performance: Three keyboard zones; morph controls
View detailsDJ players & mixers
Channels: 4 plus DJ microphone control · Inputs: 5 microphone, 5 line and 3 phono · EQ: Three-band per channel
View detailsDJ players & mixers
Format: Dual CD/MP3 CD decks · Media: CD, CD-R and CD-RW · Performance: Seamless loops, cue points and scratch control
View detailsDJ players & mixers
Mixer channels: 4 · Inputs: Switchable phono/line and microphone inputs · Crossfader: Assignable, user-replaceable ALPS type
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 45 mm; 90 mm full-frame equivalent angle of view · Maximum aperture: f/1.8
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 60 mm; 120 mm full-frame equivalent angle of view · Maximum aperture: f/2.8
View detailsGuitar cabinets
Configuration: 4×12 · Drivers: Celestion Vintage 30 in standard PPC412 · Enclosure: Closed back
View detailsTruss & rigging
Function: PA array support
View detailsPower amps & system processing
Configuration: Matched to speaker models and amplifier channels
View detailsCymbals
Diameter: 16 inches · Type: Fast Crash
View detailsCamera audio & sync
Inputs: Two female 3-pin XLR inputs · Input modes: Mic, line and +48 V phantom · Gain switch: +20 / 0 / −20 dB
View detailsCamera audio & sync
Record wide changes in performance levels with 32-bit float camera audio on a LUMIX GH7.
View detailsCameras, lenses & support
Mount: Micro Four Thirds · Focal length: 100–300 mm; 200–600 mm full-frame equivalent angle of view · Maximum aperture: f/4 at wide end; f/5.6 at telephoto end
View detailsDrum hardware
Format: Boom cymbal stand · Adjustment: Height and cymbal position
View detailsDrum kits, snares & percussion
Shell: Six-ply maple · Hoops: Die-cast / MasterCast · Size: 14 × 5 inches
View detailsDrum kits, snares & percussion
Bass drum: 20 × 16 inches · Toms: 10 × 8, 12 × 9 and 14 × 12 inches
View detailsDrum kits, snares & percussion
Shell material: Maple · Bass drum: 22 × 16 inches · Rack toms: 12 × 10 and 13 × 11 inches
View detailsDrum kits, snares & percussion
Shell: Chrome-over-steel · Lugs: 8 · Type: Vintage Pearl snare
View detailsOutboard processing
Channels / bands: 1 channel; 31 constant-Q bands · EQ range: 20 Hz–20 kHz; ±15dB per band · High-pass: 5–200 Hz variable; 12dB/octave
View detailsGuitar amplifiers
Channels: Rhythm and Lead · Tone shaping: Resonance and presence
View detailsGuitar cabinets
Configuration: 4×12-inch guitar cabinet · Installed speakers: Celestion Vintage 30 · Format: Passive speaker cabinet
View detailsGuitar amplifiers
Output: 120 W · Power stage: 6L6GC tubes · Channels: Two with separate EQ
View detailsGuitar amplifiers
Output: 50 W RMS · Power stage: Four EL84 valves · Channels: Normal and Lead
View detailsGuitar cabinets
Configuration: 4×10 · Type: Passive guitar extension cabinet · Series: Peavey Classic
View detailsPower amps & system processing
Channels: 2 · 8Ω power: 280 W per channel, 20 Hz–20 kHz at 0.02% THD · 4Ω power: 500 W per channel, 20 Hz–20 kHz at 0.03% THD
View detailsPower amps & system processing
Channels: 2 · 8Ω output: 650 W per channel, 1 kHz, <0.1% THD · 4Ω output: 950 W per channel, 1 kHz, <0.1% THD
View detailsGuitar amplifiers
Output: 210 W RMS at 4 Ω · Factory speaker: 15-inch Black Widow · EQ: Low, mid, mid shift, high and presence
View detailsGuitar amplifiers
Output: 300 W RMS at 4 Ω; 190 W at 8 Ω · EQ: Active tone controls with adjustable midrange · Routing: Pre-EQ and post-EQ patch connections
View detailsPA speakers & subwoofers
Peavey PA cabinet for portable event sound.
View detailsPA speakers & subwoofers
Type: Passive full-range loudspeaker · LF section: 15-inch Black Widow
View detailsPA speakers & subwoofers
Type: Passive full-range loudspeaker · LF section: 15-inch Black Widow · Frequency response: 65 Hz–17.5 kHz
View detailsPA speakers & subwoofers
Type: Passive full-range loudspeaker · LF section: Two 15-inch Black Widow woofers · System connection: Full-range or bi-amp operation
View detailsPA speakers & subwoofers
Type: Passive full-range loudspeaker · LF section: Two 15-inch Black Widow woofers · Frequency response: 51 Hz–16 kHz
View detailsPA speakers & subwoofers
Type: Passive full-range loudspeaker · LF section: 15-inch woofer
View detailsPA speakers & subwoofers
Type: Passive full-range loudspeaker · LF section: 15-inch Scorpion Plus · Frequency response: 68 Hz–16 kHz, ±3 dB
View detailsMixing consoles
Mic inputs: 6 low-impedance mic preamps · Line inputs: 7 · Amplification: 210 W RMS per channel at 4 Ω; 150 W RMS per channel at 8 Ω
View detailsMixing consoles
Mic inputs: 8 · Line inputs: 6 mono and 3 stereo · Amplification: 2×200 W at 4 Ω
View detailsKeyboard amps, stands & controllers
Bench seating for piano and keyboard performance.
View detailsDJ players & mixers
Playback type: CD DJ deck · Controls: Jog wheel, cue and loop functions
View detailsDJ players & mixers
USB audio files: MP3, AAC, WAV and AIFF · Networking: Pro DJ Link via LAN · Performance: Slip Mode, Beat Sync and quantized cues/loops
View detailsDJ players & mixers
Mixer channels: 4 · Computer connections: Two USB-B ports · Mode: Serato DJ controller and standalone mixer
View detailsDJ players & mixers
Mixer channels: 4 · Effects: Beat Effects with Auto BPM · Sampler: Up to 8 seconds
View detailsDJ players & mixers
Mixer channels: 4 · EQ: Three-band per channel · Effects: Sound Color FX and Beat Effects
View detailsDJ players & mixers
Mixer channels: 4 · USB audio: 4 stereo inputs and 4 stereo outputs · Processing: 24-bit / 96 kHz
View detailsCameras, lenses & support
Fixture type: Portable RGB video light · Configuration requirements: Output, power, mounting and light shaping
View detailsSwitching, streaming & monitors
Monitor type: External camera monitor · Configuration requirements: Camera output, viewing conditions, mounting and power
View detailsMonitoring & patching
Fader: One touch-sensitive 100 mm motorized fader · Connection: USB 2.0 · Control: Transport, automation and Session Navigator
View detailsMonitoring & patching
Outputs: Six headphone channels · Shared sources: Two stereo input pairs · Individual feeds: External stereo input per channel
View detailsMixing consoles
Microphone/line inputs: 24 · Auxiliary mixes: 10 · Subgroups: 4
View detailsCameras, lenses & support
Camera type: Pan-tilt-zoom
View detailsPA speakers & subwoofers
Format: Powered two-way · Drivers: 12-inch LF + compression driver · Nominal coverage: 75° conical
View detailsPA speakers & subwoofers
Format: Powered three-way · Drivers: 15-inch LF + 6.5-inch midrange + compression driver · Nominal coverage: 90° horizontal × 40° vertical
View detailsPA speakers & subwoofers
Driver: 18-inch woofer · Amplifier: 700 W Class H · Frequency response: 45–95 Hz, −3 dB
View detailsPA speakers & subwoofers
Format: Dual-12-inch fourth-order bandpass · Amplifier: 1000 W continuous Class D manufacturer rating · Frequency response: 48–134 Hz, −6 dB
View detailsPA speakers & subwoofers
Format: Powered 12-inch two-way · Coverage: 75° conical · Amplifier: 1000 W continuous Class D manufacturer rating
View detailsTruss & rigging
System family: QSC KLA · Options: Fly bar and support hardware
View detailsPA speakers & subwoofers
Format: Powered two-way line-array element · LF driver: 12 inches · Coverage: 90° horizontal × 18° vertical
View detailsPA speakers & subwoofers
Format: Powered vented subwoofer · Driver: 18 inches · Amplifier: 1000 W module
View detailsPA speakers & subwoofers
Format: Two-way powered · LF/MF section: 12-inch · Coverage: 75° axisymmetric
View detailsPA speakers & subwoofers
Format: Two-way powered · LF/MF section: 15-inch · Coverage: 60° axisymmetric
View detailsPA speakers & subwoofers
Format: Three-way powered · LF/MF section: 15-inch LF; 6.5-inch midrange · Coverage: 75° axisymmetric
View detailsPA speakers & subwoofers
Driver: 18 inches · Amplifier: 1000 W continuous Class D manufacturer rating · Frequency response: 40–112 Hz, −6 dB
View detailsPower amps & system processing
Channels: 2 · 8Ω output: 300 W per channel, 20 Hz–20 kHz, 0.03% THD · 4Ω output: 500 W per channel, 20 Hz–20 kHz, 0.05% THD
View detailsPower amps & system processing
Channels: 2 · 8Ω output: 425 W per channel, 20 Hz–20 kHz, 0.03% THD · 4Ω output: 700 W per channel, 20 Hz–20 kHz, 0.05% THD
View detailsPower amps & system processing
Channels: 2 · 8Ω output: 700 W per channel, 20 Hz–20 kHz, 0.03% THD · 4Ω output: 1,100 W per channel, 20 Hz–20 kHz, 0.05% THD
View detailsPower amps & system processing
Channels: 2 · 8Ω / 4Ω output: 725 W / 1,100 W per channel, 20 Hz–20 kHz, 0.05% THD · Inputs: Balanced XLR and 1/4-inch TRS
View detailsPower amps & system processing
Channels: 2 · 8Ω / 4Ω output: 260 W / 400 W per channel, 20 Hz–20 kHz, 0.1% THD · 8Ω bridged output: 800 W, 20 Hz–20 kHz, 0.1% THD
View detailsPower amps & system processing
Channels: 2 · 8Ω / 4Ω output: 350 W / 550 W per channel, 20 Hz–20 kHz, 0.1% THD · 8Ω bridged output: 1,100 W, 20 Hz–20 kHz, 0.1% THD
View detailsPower amps & system processing
Channels / format: 2 channels; 3U rack · 8Ω / 4Ω output: 1,050 W / 1,600 W per channel, 20 Hz–20 kHz, 0.1% THD · 8Ω bridged output: 3,200 W, 20 Hz–20 kHz, 0.1% THD
View detailsStageboxes, snakes & DI
Channels: Four balanced analog channels · Network-style connector: RJ45, analog wiring rather than Ethernet audio · XLR connections: Male outputs
View detailsStageboxes, snakes & DI
Channels: Four balanced analog channels · Network-style connector: RJ45, analog wiring rather than Ethernet audio · XLR connections: Female inputs
View detailsStageboxes, snakes & DI
DI type: Active · Circuit: Active analog, mono · Power: 48V phantom
View detailsStageboxes, snakes & DI
DI type: Passive · Circuit: Mono passive transformer DI · Transformer: Jensen JT-DB-EPC
View detailsStageboxes, snakes & DI
Circuit: Mono active analog DI · Power: 48V phantom · Connections: 1/4-inch input/thru; balanced XLR output
View detailsStageboxes, snakes & DI
Type: Stereo passive direct box · Selection: Source connectors and console inputs determine cabling
View detailsOutboard processing
Channels: Linked stereo; shared controls · Bands: 30 bandpass filters · Inputs: Balanced XLR or balanced/unbalanced 1/4-inch TRS
View detailsDJ players & mixers
Mixer channels: 4 · Computer connections: Dual USB · Analog inputs: Four stereo RCA pairs
View detailsDJ players & mixers
Deck connections: Up to 4 turntables or CD players · USB: Two USB 2.0 ports · Audio channels: 10 record / 10 playback
View detailsDJ players & mixers
Mixer programs: 2 · Analog inputs: Four stereo phono/line RCA inputs plus auxiliary · Outputs: Balanced XLR main; TRS booth; RCA auxiliary
View detailsStage lighting
Color sources: RGBWAUV · Color channels: Red, green, blue, white, amber and UV · Fixture type: LED PAR
View detailsDrum hardware
Seat: Saddle style · Configuration: Backrest
View detailsCamera audio & sync
Type: Line-gradient condenser · Pattern: Supercardioid · Frequency range: 100 Hz–16 kHz
View detailsCameras, lenses & support
Mount: Canon EF · Coverage: Full frame · Focal length: 50 mm
View detailsKeyboards & vintage keys
Keyboard: 61 keys with velocity and channel aftertouch · Synthesis: Linear Arithmetic (LA) · Polyphony: Up to 16 voices; reduced in layered modes
View detailsKeyboard amps, stands & controllers
Function: Continuous expression controller · Connector: Quarter-inch TRS · Attached lead: 2 m
View detailsGuitar amplifiers

Output: 120 W total; stereo amplification · Speakers: 2×12 · Channels: Two input channels
View detailsKeyboards & vintage keys
Keys: 61 velocity-sensitive · Polyphony: 64 voices · Preset patches: 640
View detailsKeyboards & vintage keys
Format: Rack synthesizer module; external controller required · Polyphony: 64 voices · Multitimbral: 16 parts
View detailsKeyboards & vintage keys
Format: Rack sound module · Polyphony: 64 voices · Internal sounds: 768 patches
View detailsKeyboard amps, stands & controllers
Output: 180 W · Speakers: 15-inch driver plus horn tweeter · Mixer: Four stereo channels; channel 1 XLR microphone input
View detailsKeyboards & vintage keys
Keyboard: 88-key Progressive Hammer Action · Polyphony: 128 voices · Controller zones: Four assignable zone sliders
View detailsKeyboards & vintage keys

Keyboard: 88-key PHA-4 Concert with escapement · Sounds: SuperNATURAL piano/electric piano; organ and synth sounds · Control: Four layer sliders; Tone Color and effects controls
View detailsKeyboards & vintage keys
Keyboard: 88-key PA-4 hammer action · Polyphony: 64 voices · Multitimbral: 16 parts
View detailsElectronic percussion
Pads: 8 velocity-sensitive rubber pads · Sounds: 700 · Patch locations: 99
View detailsElectronic percussion
Format: Sampling pad · Playing surfaces: 6 pads and 3 edge triggers · Simultaneous voices: 8
View detailsElectronic percussion

Format: Sampling pad · Audio outputs: Stereo master and stereo sub outputs · Monitoring: Headphone output
View detailsElectronic percussion
Module: Roland TD-27 · Snare and toms: PDX-12 snare; three PDX-8 tom pads · Kick and hi-hat: KD-10; VH-10
View detailsKeyboards & vintage keys
61-key organ with drawbars to shape the sound and a built-in rotary-speaker effect.
View detailsKeyboards & vintage keys
Polyphony: 64 voices · Multitimbral: 16 parts · Internal patches: 512 preset patches
View detailsKeyboards & vintage keys
Keyboard: 76 keys with velocity and aftertouch · Polyphony: 64 voices; 16-part multitimbral · Sequencer: 16-track MRC-Pro; RPS phrase triggering
View detailsPower amps & system processing
Architecture: Two-channel analog dynamics processor · Processing: Threshold-based attenuation with adjustable depth and timing · Channels: Two
View detailsStageboxes, snakes & DI
Channels: Two active DI channels · Instrument inputs: Two 1/4-inch inputs, 2.2 MΩ · Additional input: 3.5 mm stereo
View detailsPower amps & system processing
Analysis: 30 one-third-octave bands · Display: 9×30 LED array; 1dB resolution · Measurement tools: Pink-noise generator, peak hold and SPL readout
View detailsCymbals
Diameter: 18 inches · Series: AAX · Material: B20 bronze
View detailsCymbals
Series: B8 · Type: Hi-hat pair · Configuration: Top and bottom cymbals
View detailsCymbals
Diameter: 19 inches · Series: HHX X-Plosion · Type: Crash
View detailsCymbals
Diameter: 18 inches · Type: Crash · Material: B20 bronze
View detailsCymbals
Diameter: 18 inches · Type: Crash / ride · Bell: Low
View detailsCymbals
Diameter: 20 inches · Type: Crash · Weight: Thin
View detailsCymbals
Diameter: 22 inches · Type: Ride · Weight: Heavy
View detailsMonitoring & patching
Format: 19-inch rackmount passive patchbay · Connectors: Quarter-inch TRS, front and rear · Modes: Normal, half-normal and thru
View detailsGuitars & basses
Strings: Five · Scale: 35 inches · Neck construction: Neck-through
View detailsStands & acoustics
Function: Acoustic reflection filter and mic mount · Mounting: Dual-microphone positioning · Adjustments: Height, horizontal position and depth
View detailsStands & acoustics
Function: Portable acoustic reflection filter · Construction: Multilayer absorber/diffuser · Mount: Adjustable stand bracket
View detailsMicrophones
Transducer: Passive ribbon · Pattern: Figure-eight · Frequency range: 20 Hz–16 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Supercardioid · Connection: 3-pin XLR
View detailsMicrophones
Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 40 Hz–18 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
View detailsStage monitoring & communications
System: SR 300 IEM G3 transmitter / EK 300 IEM G3 receiver family · Transmitter inputs: Two balanced XLR/1/4-inch combo inputs · Routing: Balanced loop outputs
View detailsMicrophones
Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 20 Hz–10 kHz
View detailsMicrophones
Intended role: Instrument pickup
View detailsMicrophones
Intended role: Vocal pickup
View detailsWireless microphones
Element: Electret condenser vocal capsule · Pattern: Supercardioid · Product type: Removable wireless microphone head
View detailsMicrophones
Transducer: Electret condenser · Pattern: Half-cardioid · Frequency response: 20 Hz–20 kHz
View detailsWireless microphones
Generation: Original SLX analog wireless · Receiver: SLX4, single microphone channel · Audio outputs: XLR and 1/4-inch; receiver output-level adjustment
View detailsMicrophones
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–15 kHz
View detailsMicrophones
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–15 kHz
View detailsMicrophones
Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
View detailsMonitoring & patching
Design: Open-back dynamic · Driver: 40 mm · Impedance: 65 Ω at 1 kHz
View detailsWireless microphones
Model family: ULXS4 / original ULX Standard · Receiver channels: 1 · Reception: Diversity
View detailsWireless microphones
Channels / format: 2 receiver channels; 1U rack · Audio outputs: Per-channel balanced XLR and impedance-balanced 1/4-inch · XLR level: Selectable mic/line level
View detailsMicrophones
Transducer: Electret condenser · Pattern: Cardioid · Frequency response: 40 Hz–20 kHz
View detailsCameras, lenses & support
Image circle: APS-C / DC · Focal length: 18–35 mm · Maximum aperture: f/1.8 throughout zoom range
View detailsKeyboard amps, stands & controllers
Connector family: Six-pin Leslie · Function: Matched organ / preamp to Leslie connection
View detailsDJ players & mixers
Drive type: Direct drive · Playback source: Vinyl records
View detailsOutboard processing
4000 B-derived compressor and gate/expander for shaping drum attack, controlling spill and adding more pronounced dynamics.
View detailsOutboard processing
Stereo analog EQ combining broad shelving with focused midrange control for stems and final mix balance.
View detailsPreamps & DI
Format: Mono 500-series preamp · Coloration: Variable Harmonic Drive · Drive: Switchable VHD with second/third harmonic blend
View detailsMonitoring & patching
Design: Closed-back dynamic · Drivers: 40 mm · Impedance: 63 Ω at 1 kHz
View detailsKeyboard amps, stands & controllers
Function: Keyboard sustain / damper control
View detailsGuitar amplifiers
Speakers: 12-inch driver plus tweeter · Inputs: Instrument, stereo and balanced microphone inputs · EQ: Bass, middle and treble per channel
View detailsBass cabinets
Configuration: 4×10 plus tweeter · Power handling: 700 W RMS · Connections: Parallel 1/4-inch and speakON
View detailsBass amplifiers
Preamp: 12AX7 tube · Modes: Stereo or mono bridge · Tone shaping: Aural Enhancer and variable graphic EQ
View detailsBass amplifiers
Power: 900 W at 4 Ω bridged; 400 W per side at 4 Ω stereo · Preamp: 12AX7 tube · EQ: Two three-band semi-parametric sections
View detailsBass cabinets
Configuration: 15-inch driver plus horn · Power handling: 350 W RMS · Impedance: 8 Ω
View detailsOutboard processing
Function: Single-channel AGC leveler · Mic input: XLR with switchable 48 V phantom · Line input: Balanced TRS and screw terminals
View detailsOutboard processing
Channels: 2; independent or stereo coupled · Processing: Downward expander, RMS compressor and peak limiter · Compression ratio: 1:1–10:1
View detailsDrum hardware
Tilter: Quick-Set · Basket: Adjustable
View detailsDrum hardware
Type: Double bass-drum pedal · Footboards: Long · Cams: Rolling Glide
View detailsDrum hardware
Base: Two legs with swivel foot · Tension: Six settings · Action: Direct pull
View detailsOutboard processing
Engines: 2 effects engines · Analog I/O: Balanced stereo XLR · Digital I/O: 24-bit S/PDIF on RCA
View detailsOutboard processing
Effects: 15 reverb types + 15 delay/effects types · Engines: 2; serial or dual-input routing · Analog I/O: Balanced stereo 1/4-inch
View detailsPedals & backline accessories
Processing: Analog bass preamp and amp emulation · Direct output: Balanced XLR · Parallel output: 1/4-inch
View detailsCameras, lenses & support
Lens interface: 95 mm clamp-on or appropriate filter-thread adapter · Filtration: 95 mm circular system; additional rectangular-filter hardware available separately · VND nominal range: ND 0.3–2.7; usable range depends on focal length
View detailsCameras, lenses & support
Hand unit: 1.6-inch circular touch screen · Lens drive: Wireless motor control with lens mapping · Motor interface: 0.8 MOD lens gearing
View detailsKeyboard amps, stands & controllers
Function: Leslie instrument interface / preamp
View detailsOutboard processing
Format: Mono 500-series hardware EQ · Bands: Four · Low-mid sweep: 100 Hz–1.5 kHz
View detailsCameras, lenses & support
Focal length: 35 mm · Maximum aperture: f/1.4 · Focus: Manual
View detailsKeyboard amps, stands & controllers
Format: Two tiers
View detailsKeyboard amps, stands & controllers
Format: Column keyboard stand
View detailsDJ players & mixers
Amplification: 200 W · Mixer: 4 mic/line channels · Media: CD, CD+G, DVD, VCD, MP3 and compatible recordable discs
View detailsGuitar amplifiers
Inputs: Six-input layout · Voicing: Normal, Brilliant and Vib-Trem sections · Format: Guitar combo
View detailsGuitar amplifiers
Output: 30 W RMS into 16 Ω · Speakers: 2×12; Wharfedale in original factory specification · Channels: Normal and Top Boost with input-link switch
View detailsPedals & backline accessories
Effect: Analog overdrive and boost · Controls: Gain, Treble and Output · Voicing option: MOD switch extends bass response
View detailsMicrophones
Transducer: Ribbon · Pattern: Figure-eight · Modes: VT passive / +dB active
View detailsPedals & backline accessories
Effect: Analog optical phase shifting · Controls: Rate, Depth and Feedback · Circuit component: RC4558P op-amps
View detailsMicrophones
Architecture: Studio ribbon microphone · Type: Passive ribbon · Pattern: Figure-eight
View detailsMicrophones
Type: Transformerless FET condenser · Patterns: Cardioid, omni and figure-eight · High-pass filter: 70 Hz
View detailsMicrophones
Architecture: Transformer-balanced condenser · Pickup patterns: Cardioid, omni, figure-8 · Type: Large-diaphragm condenser
View detailsPreamps & DI
Channels: One · Gain: Up to 80 dB · Signal path: Discrete, Carnhill transformer balanced
View detailsOutboard processing
Function: External SoundGrid plugin processing · Connection: SoundGrid Ethernet network · Audio interface: Separate compatible interface or console connection required
View detailsOutboard processing
Function: SoundGrid plugin-processing server · Sample rates: 44.1, 48, 88.2 and 96 kHz in original hardware specification · Network: RJ45 Ethernet connection to SoundGrid network
View detailsStages & risers
Wenger Versalite modular platforms for indoor stages and ensemble risers; stage delivery and setup included.
View detailsStageboxes, snakes & DI
Channels: 4 · Cable family: Cat5e
View detailsWireless microphones
Function: Wireless microphone RF antenna distribution · Configuration: Matched band, receiver count, antenna type and cable runs
View detailsWireless microphones
Formats: Headset and lavalier options · Compatibility: Bodypack connector, wiring and microphone bias must match
View detailsDrum kits, snares & percussion
Shell material: Brass · Type: Piccolo snare · Size: 14 × 3.5 inches
View detailsPA speakers & subwoofers
Format: Powered two-way bass reflex · LF driver: 10 inches · Coverage: 90° horizontal × 60° vertical
View detailsDrum hardware
Drive: Double chain · Type: Double bass-drum pedal · Adjustments: Beater angle, footboard angle and spring tension
View detailsDrum hardware
Format: Boom cymbal stand · Legs: Double-braced · Adjustment: Height and reach
View detailsKeyboards & vintage keys
Original DX7 keyboard for electric-piano, bell, bass and percussive synthesizer sounds.
View detailsDrum kits, snares & percussion
Shell material: Maple · Type: Snare drum · Size: 14 × 6 inches
View detailsMixing consoles
Inputs: 2 mono mic/line + 2 stereo line pairs · Mic preamps: 2 · Effects: 6 SPX effect programs
View detailsMixing consoles
Input capacity: Up to 6 microphones / 12 line inputs · Routing: Stereo bus + 2 group buses · Aux sends: 2, including FX send
View detailsKeyboards & vintage keys

Combine sounds and change them as you play on this 88-key weighted synthesizer.
View detailsKeyboards & vintage keys
Keyboard: 76 keys; FS synth action; velocity and aftertouch · Engine: AWM2; up to 62 voices · Sequencer: Song and pattern modes; 16 parts
View detailsKeyboards & vintage keys
Keyboard: 88 keys; Balanced Hammer action; velocity and aftertouch · Engine: AWM2; up to 62 voices · Sequencer: Song and pattern modes; 16 parts
View detailsKeyboards & vintage keys
Keyboard: 61-key FS action with velocity and aftertouch · Engine: AWM2; 16 internal parts · Audio outputs: Stereo main plus assignable L/R
View detailsKeyboards & vintage keys
Keyboard: 76-key FS action with velocity and aftertouch · Engine: AWM2; 16 internal parts · Audio outputs: Stereo main plus assignable L/R
View detailsKeyboards & vintage keys
Keyboard: 88-key Balanced Hammer action with velocity and aftertouch · Engine: AWM2; 16 internal parts · Audio outputs: Stereo main plus assignable L/R
View detailsKeyboards & vintage keys
Keyboard: 88-key Balanced Hammer action · Engine: AWM2; 16-part multitimbral · Controllers: Eight sliders, eight knobs, ribbon and assignable buttons
View detailsKeyboards & vintage keys
Keys: 88 · Action: GHS weighted · Sound engine: MOTIF-derived
View detailsKeyboards & vintage keys
88-key digital piano with weighted keys, built-in speakers and ten instrument sounds.
View detailsKeyboards & vintage keys
Keyboard: 88 keys with velocity sensitivity · Performance: Single, Dual and Split modes · Sounds: Piano and other instrument voices; editable organ combinations
View detailsKeyboards & vintage keys
Keyboard: 88 keys · Sound source: AWM Dynamic Stereo Sampling · Polyphony: Up to 128 voices
View detailsKeyboards & vintage keys
Keyboard: 88-key Balanced Hammer action with aftertouch · Engine: AWM2 · Performance: Four-part Performance mode; 16-part multitimbral operation
View detailsDrum hardware
Legs: Double-braced · Tilter: Ball clamp · Basket: Three-arm
View detailsDrum kits, snares & percussion
Shell construction: Six-ply birch · Mounting: YESS tom mounts · Bass drum options: 20 or 22 inches
View detailsKeyboard amps, stands & controllers
Format: Z-frame keyboard support
View detailsSwitching, streaming & monitors
Monitor type: Zacuto Gratical electronic viewfinder; exact variant confirmed with quote · Configuration requirements: Video signal format, power and mounting
View detailsCameras, lenses & support
Keep an operated camera balanced and its viewing and focus controls within reach.
View detailsCymbals
Diameter: 17 inches · Type: Crash · Weight: Thin
View detailsCymbals
Diameter: 19 inches · Type: Crash · Weight: Thin
View detailsCymbals
Diameter: 20 inches · Type: Ride · Series: A Custom
View detailsCymbals
Diameter: 9 inches · Type: Splash · Bell: Unlathed
View detailsCymbals
Diameter: 11 inches · Type: Splash · Bell: Unlathed
View detailsCymbals
Diameter: 18 inches · Series: Oriental · Type: China effects cymbal
View detailsCamera audio & sync
Video: Up to 4K at 30 fps; 1080p at 60 fps · Lens: F2.8, 150° field of view · Inputs: Stereo XY capsule and two XLR inputs
View detailsTents, furniture & site
Footprint: 10 × 10 ft
View detailsStageboxes, snakes & DI
Channel options: 8, 12, 16 and 24 channels · Main snake length: 100 ft · Drop snake: 16 × 4, 50 ft
View detailsCables & adapters
Connector options: 1/4-inch, RCA, XLR and speakON · XLR adapters: Male-to-male and female-to-female
View detailsSwitching, streaming & monitors
Options: BNC cables and two-channel snake · Cable lengths: 25 and 50 ft · Snake: 2-channel, 250 ft
View detailsBarriers & cable protection
Cover section length: 3 ft · Formats: Cable ramps, interlocking covers and gate-crossing protection
View detailsPower distribution
Feeder option: 2/0, 100 ft, five-wire Cam-lock set · Connection option: Cam-lock tails
View detailsCables & adapters
Shielded Cat5 reel: 150 ft · Unshielded Cat5 reel: 250 ft · Cat6 snake: 6 inputs / 6 outputs
View detailsCables & adapters
Instrument cable lengths: 3, 10, 20 and 30 ft · Balanced patch option: 10 ft TRS-to-XLR male · Insert cable option: 10 ft TRS-to-dual-TS
View detailsStands & acoustics
Options: LP Claw; On-Stage D50 drum clips
View detailsStands & acoustics
Formats: Tall boom, short boom, straight and tabletop boom · Base options: Round and triangular
View detailsCables & adapters
Function: MIDI data connections
View detailsCables & adapters
Lengths: 3, 10, 25, 50 and 100 ft · Connector options: 1/4-inch, speakON and banana
View detailsStands & acoustics
Function: Support for compatible loudspeakers
View detailsPower distribution
Edison extensions: 15, 25, 50 and 100 ft; 15 A · powerCON jumpers: 3 and 25 ft · Stage stringers: 15 A
View detailsCables & adapters
Options: Individual XLR leads and coordinated cable packages · Lengths: 3, 10, 20, 25, 30, 50 and 100 ft
View detailsRent pro audio equipment with optional delivery, setup, and engineers. Sound systems range from powered speakers to line arrays and subwoofers.
Request wireless handheld, lapel/lavalier, and lectern microphones; digital mixing consoles and stageboxes from Behringer X32/WING, Midas, Allen & Heath, and Yamaha; and in-ear monitor (IEM) systems or stage monitor wedges.
Include essential models and connection requirements so we can check compatibility. Explore sound system rentals and crewed event production.
Plan the full setup: PA and sound system rental · Full live sound and event production · Backline rental and delivery · Portable and mobile stage rentals · Recording sessions and live capture