Dynamics
AudioScape 76A Deluxe
Boutique 1176 Rev A recreation, hand-built with NOS components and Cinemag transformers, with dry/wet blend for fast, characterful compression.
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Compressors, EQ & effects.
Analog and digital tools for dynamics, tone and effects.
35 models and accessories
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Equipment results
Dynamics
AudioScape Opto Comp
Boutique LA-2A-style tube compressor, hand-built with NOS tubes, Cinemag transformers and a custom T4B optical cell for smooth vocal and bass leveling.
View detailsEqualization
Hazelrigg Industries DLC
D.W. Fearn-derived tube and inductor EQ for fuller body, open highs and musical tone shaping, available as a stereo pair.
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Hazelrigg Industries DNE
D.W. Fearn VT-7-derived PWM compression for natural vocal and instrument dynamics, available as a stereo pair for stems and mixes.
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Serpent Audio SB4000
SSL-style stereo bus compressor built with genuine THAT VCAs, for mix cohesion, drum punch and controlled dynamics.
View detailsStudio signal processing
SPL BiG Model 1505
Stereo image processor for adjusting a mix’s apparent width and depth, with selectable bass enhancement.
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WesAudio _RHEA
Stereo vari-mu tube compression with Carnhill transformers, adjustable harmonic color and full digital recall for rich stems and cohesive mixes.
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Alesis Midiverb 4
Conversion: 18-bit A/D and D/A · Internal processing: 24-bit · Programs: 128 factory and 128 user
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dbx 166XL
Channels: 2; dual mono or stereo coupled · Processing: Compressor, expander/gate and separate PeakStop limiter · Compressor response: OverEasy or hard knee; manual/Auto timing
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dbx 231
Channels: Two 31-band, one-third-octave channels · Range: Selectable ±6 or ±12 dB · Low cut: 50 Hz, 12 dB/octave
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dbx 266XL
Channels: 2; dual mono or stereo linked · Compressor ratio: 1:1 through ∞:1 · Expander/gate ratio: 1:1 through 4:1
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dbx 266XS
Channels: Two, independent or stereo-linked · Dynamics: Compressor and expander/gate · Compression: OverEasy or hard-knee operation
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dbx 560A
Format: One-slot mono 500-series module · Detection: True RMS · Curves: OverEasy or hard knee
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Empirical Labs DerreSser
Analog de-esser and high-frequency limiter for controlling sharp consonants, brittle guitars and other bright sources.
View detailsStudio signal processing
Empirical Labs EL-RX DocDerr
Instrument and line-level processor combining EQ, compression and tape-like saturation, with a parallel blend control.
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Golden Age Project COMP-554 II
Circuit: Discrete Class-A diode-bridge compressor · Signal path: Input, interstage and output transformers · Format: Single channel, two 500-series slots
View detailsEqualization
Graphic equalizers
Function: Graphic equalization for PA mains and monitor feeds
View detailsAnalog coloration
Handsome Audio Zulu 500
Mono analog tape-style processor with selectable machine and formula settings, Headroom, Bias, and Enhance controls.
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Lindell Audio 7X-500VIN
Format: Mono 500-series FET compressor · Ratios: 4:1, 12:1 and 100:1 all-in mode · Detector filter: Off, 100 Hz or 300 Hz
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Lindell Audio LiN76
Circuit: Analog 76-style FET compressor · Ratios: 4:1, 8:1, 12:1, 20:1 and combinations · Attack: 20–800 microseconds
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Lindell Audio PEQ-501A
Format: Mono 500-series program EQ · Low frequencies: 20, 30, 60, 100 and 150 Hz · High frequencies: Selectable from 1–16 kHz
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Meris Mercury7 500-Series Reverb
500-series digital reverb for plate ambience, long atmospheric tails, pitch-shifted textures and swelling transitions.
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Nady two-channel graphic equalizer
Type: Two-channel graphic equalizer
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Peavey 31FX
Channels / bands: 1 channel; 31 constant-Q bands · EQ range: 20 Hz–20 kHz; ±15dB per band · High-pass: 5–200 Hz variable; 12dB/octave
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Rane Mojo MQ302
Channels: Linked stereo; shared controls · Bands: 30 bandpass filters · Inputs: Balanced XLR or balanced/unbalanced 1/4-inch TRS
View detailsMeasurement & system support
Rupert Neve Designs 5045
Architecture: Two-channel analog dynamics processor · Processing: Threshold-based attenuation with adjustable depth and timing · Channels: Two
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Solid State Logic B-Series Dynamics
4000 B-derived compressor and gate/expander for shaping drum attack, controlling spill and adding more pronounced dynamics.
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Solid State Logic Ultraviolet EQ
Stereo analog EQ combining broad shelving with focused midrange control for stems and final mix balance.
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Symetrix 421M
Function: Single-channel AGC leveler · Mic input: XLR with switchable 48 V phantom · Line input: Balanced TRS and screw terminals
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Symetrix 425
Channels: 2; independent or stereo coupled · Processing: Downward expander, RMS compressor and peak limiter · Compression ratio: 1:1–10:1
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TC Electronic M-One XL
Engines: 2 effects engines · Analog I/O: Balanced stereo XLR · Digital I/O: 24-bit S/PDIF on RCA
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TC Electronic M350
Effects: 15 reverb types + 15 delay/effects types · Engines: 2; serial or dual-input routing · Analog I/O: Balanced stereo 1/4-inch
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Trident 80B EQ
Format: Mono 500-series hardware EQ · Bands: Four · Low-mid sweep: 100 Hz–1.5 kHz
View detailsWaves processing
Waves Impact Server
Function: External SoundGrid plugin processing · Connection: SoundGrid Ethernet network · Audio interface: Separate compatible interface or console connection required
View detailsWaves processing
Waves Mobile Server
Function: SoundGrid plugin-processing server · Sample rates: 44.1, 48, 88.2 and 96 kHz in original hardware specification · Network: RJ45 Ethernet connection to SoundGrid network
View detailsPlan the full setup: PA and sound system rental · Full live sound and event production · Backline rental and delivery · Portable and mobile stage rentals · Recording sessions and live capture