LED screens
16 × 9 ft LED video wall, 3.9 mm
Pixel pitch: 3.9 mm · Screen size: 16 × 9 ft
View detailsEQUIPMENT RENTALS
Video & cameras.
Camera bodies, lenses, monitoring, support, lighting, live video systems, and audio synchronization.
39 models and accessories
Send your dates for availability and a rental quote.
Equipment results
Switching, streaming & monitors
Atomos Ninja V
Check focus and exposure on set and record edit-friendly ProRes from a compatible camera feed.
View detailsSwitching, streaming & monitors
Atomos Ninja V+
Monitor shots on set and capture ProRes or supported ProRes RAW footage for the edit.
View detailsCameras, lenses & support
DJI RS 4
Type: Three-axis handheld camera stabilizer · Tested payload: 3 kg / 6.6 lb · Shooting orientation: Supports native vertical configuration
View detailsCameras, lenses & support
LEICA DG NOCTICRON 42.5mm f/1.2 ASPH. POWER O.I.S.
Mount: Micro Four Thirds · Focal length: 42.5 mm; 85 mm full-frame equivalent angle of view · Maximum aperture: f/1.2
View detailsCameras, lenses & support
LEICA DG VARIO-SUMMILUX 10–25mm f/1.7 ASPH.
Mount: Micro Four Thirds · Focal length: 10–25 mm; 20–50 mm full-frame equivalent angle of view · Maximum aperture: f/1.7 throughout zoom range
View detailsCameras, lenses & support
Panasonic LUMIX G9
Add a stabilized 4K angle or event stills to a multicamera shoot.
View detailsCameras, lenses & support
Panasonic LUMIX GH5S
Add a low-light 4K performance or interview angle with V-Log L footage ready for color grading.
View detailsCameras, lenses & support
Panasonic LUMIX GH7
Capture matching performance angles with 5.7K ProRes RAW, 5.8K open gate, V-Log or ARRI LogC3 options.
View detailsSwitching, streaming & monitors
Blackmagic ATEM switching system
Function: Live production switching
View detailsCameras, lenses & support
Camera focal-reducer adapters
Adapter type: Optical focal reducer · Compatibility requirements: Lens mount, camera mount, sensor coverage and recording mode
View detailsLED screens
Chauvet 10 × 7 ft LED video wall, 2 mm
Pixel pitch: 2 mm · Screen size: 10 × 7 ft
View detailsCameras, lenses & support
ColorChecker video reference
Tool type: Physical video color-reference target
View detailsCamera audio & sync
Deity TC-1
Timecode: SMPTE timecode · Connection: Locking 3.5 mm TRS timecode I/O · Sync: Wireless or wired jam sync
View detailsCameras, lenses & support
DJI MFT 15mm prime
Mount: Micro Four Thirds · Focal length: 15 mm · Lens type: Prime
View detailsCameras, lenses & support
Fluid-head camera tripods
Support type: Tripod with fluid pan-and-tilt head · Selection requirements: Complete rig weight, working height, surface and plate interface
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Glimmerglass diffusion filters
Filter type: Optical diffusion · Selection requirements: Diffusion strength and lens-thread or matte-box format
View detailsSwitching, streaming & monitors
LED video processor
Function: LED display video processing
View detailsCameras, lenses & support
LEICA DG SUMMILUX 9mm f/1.7 ASPH.
Mount: Micro Four Thirds · Focal length: 9 mm; 18 mm full-frame equivalent angle of view · Maximum aperture: f/1.7
View detailsCameras, lenses & support
LEICA DG VARIO-ELMARIT 35–100mm f/2.8 POWER O.I.S.
Mount: Micro Four Thirds · Focal length: 35–100 mm; 70–200 mm full-frame equivalent angle of view · Maximum aperture: f/2.8 throughout zoom range
View detailsCameras, lenses & support
Mist diffusion filters
Filter type: Optical diffusion · Selection requirements: Desired strength, focal length and mounting format
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Olympus M.Zuiko Digital 45mm f/1.8
Mount: Micro Four Thirds · Focal length: 45 mm; 90 mm full-frame equivalent angle of view · Maximum aperture: f/1.8
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Olympus M.Zuiko Digital ED 60mm f/2.8 Macro
Mount: Micro Four Thirds · Focal length: 60 mm; 120 mm full-frame equivalent angle of view · Maximum aperture: f/2.8
View detailsCamera audio & sync
Panasonic DMW-XLR1
Inputs: Two female 3-pin XLR inputs · Input modes: Mic, line and +48 V phantom · Gain switch: +20 / 0 / −20 dB
View detailsCamera audio & sync
Panasonic DMW-XLR2
Record wide changes in performance levels with 32-bit float camera audio on a LUMIX GH7.
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Panasonic LUMIX G VARIO 100–300mm f/4–5.6 II POWER O.I.S.
Mount: Micro Four Thirds · Focal length: 100–300 mm; 200–600 mm full-frame equivalent angle of view · Maximum aperture: f/4 at wide end; f/5.6 at telephoto end
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Portable RGB video lights
Fixture type: Portable RGB video light · Configuration requirements: Output, power, mounting and light shaping
View detailsSwitching, streaming & monitors
Portkeys camera monitor
Monitor type: External camera monitor · Configuration requirements: Camera output, viewing conditions, mounting and power
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PTZ event camera
Camera type: Pan-tilt-zoom
View detailsCamera audio & sync
RØDE VideoMic GO
Type: Line-gradient condenser · Pattern: Supercardioid · Frequency range: 100 Hz–16 kHz
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Rokinon SP 50mm f/1.2 — Canon EF
Mount: Canon EF · Coverage: Full frame · Focal length: 50 mm
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Sigma 18–35mm f/1.8 DC HSM Art — Canon EF
Image circle: APS-C / DC · Focal length: 18–35 mm · Maximum aperture: f/1.8 throughout zoom range
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Tilta Mirage matte box with variable ND
Lens interface: 95 mm clamp-on or appropriate filter-thread adapter · Filtration: 95 mm circular system; additional rectangular-filter hardware available separately · VND nominal range: ND 0.3–2.7; usable range depends on focal length
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Tilta Nucleus Nano II
Hand unit: 1.6-inch circular touch screen · Lens drive: Wireless motor control with lens mapping · Motor interface: 0.8 MOD lens gearing
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TTArtisan Tilt 35mm f/1.4
Focal length: 35 mm · Maximum aperture: f/1.4 · Focus: Manual
View detailsSwitching, streaming & monitors
Zacuto Gratical EVF
Monitor type: Zacuto Gratical electronic viewfinder; exact variant confirmed with quote · Configuration requirements: Video signal format, power and mounting
View detailsCameras, lenses & support
Zacuto shoulder rigs
Keep an operated camera balanced and its viewing and focus controls within reach.
View detailsCamera audio & sync
Zoom Q8n-4K
Video: Up to 4K at 30 fps; 1080p at 60 fps · Lens: F2.8, 150° field of view · Inputs: Stereo XY capsule and two XLR inputs
View detailsSwitching, streaming & monitors
BNC video cables and snakes
Options: BNC cables and two-channel snake · Cable lengths: 25 and 50 ft · Snake: 2-channel, 250 ft
View detailsCamera and lens rentals for performances, interviews & live events.
Build a setup around your camera positions, light and finished video. Match Panasonic LUMIX bodies with suitable lenses, support, external monitoring and timecode, or include live switching and screens.
Tell us which camera and lens mounts, recording formats, media, power and connections you need. Accessories and system compatibility are confirmed in your quote. Explore multicamera production and operated coverage.
Plan the full setup: PA and sound system rental · Full live sound and event production · Backline rental and delivery · Portable and mobile stage rentals · Recording sessions and live capture · Camera and lens production kit