Microphones
sE Electronics RNT

Flagship tube condenser co-developed with Rupert Neve Designs, with 5088-console op-amps and nine polar patterns for detailed vocals, instruments and room capture.
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Studio, live and measurement microphones for recording.
40 models and accessories
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Microphones

Flagship tube condenser co-developed with Rupert Neve Designs, with 5088-console op-amps and nine polar patterns for detailed vocals, instruments and room capture.
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Microphone for live performance applications.
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Transducer: Permanently polarized condenser · Pattern: Cardioid · Frequency response: 30 Hz–20 kHz
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Transducer: Large-diaphragm condenser · Pattern: Cardioid · High-pass filter: 80 Hz
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Transducer: Externally polarized condenser · Pattern: Hypercardioid · Frequency response: 20 Hz–20 kHz
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Type: Headworn condenser · Pattern: Cardioid · Wired module: AT8531
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Elements: Dynamic and condenser · Patterns: Hypercardioid dynamic; cardioid condenser · Frequency response: 40 Hz–15 kHz dynamic; 40 Hz–20 kHz condenser
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Transducer: Pre-polarized condenser · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
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Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 68 Hz–18 kHz
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Transducer: Dynamic · Pattern: Cardioid · Frequency response: 30 Hz–15 kHz
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Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–16 kHz
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Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 50 Hz–16 kHz
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Transducer: Condenser · Pattern: Cardioid, standard SCX1 capsule · Frequency response: 40 Hz–20 kHz
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Hypercardioid double-ribbon microphone for rounded guitar-cabinet and cymbal tones, clear attack and focused pickup.
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Transducer: Moving-coil dynamic · Pattern: Hypercardioid · Frequency response: 40 Hz–18 kHz
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Selection: Matched to drum sizes and required channels · Support: Mounts, stands and connection requirements specified together
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Transducer: Large-diaphragm dynamic · Pattern: Supercardioid · Control: Vocal presence emphasis switch
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Fixed-cardioid tube condenser with a full-bodied voice and selectable −10/−20 dB pads for vocals, acoustic instruments and cabinets.
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Compact cardioid condenser for snare body and stick attack, with onboard filters to manage cymbal spill and low-frequency bleed.
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Selection: Vocals, instruments and direct inputs as required · Planning: Input list, mounting and console patch
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Pattern: Omnidirectional · Connection: USB Audio Class 1.0 · Calibration: Serial-specific 0° and 90° files
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Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
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Type: Line-gradient condenser · Pattern: Supercardioid · Frequency range: 100 Hz–16 kHz
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Transducer: Passive ribbon · Pattern: Figure-eight · Frequency range: 20 Hz–16 kHz
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Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
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Transducer: Dynamic · Pattern: Supercardioid · Connection: 3-pin XLR
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Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 40 Hz–18 kHz
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Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
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Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 20 Hz–10 kHz
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Intended role: Instrument pickup
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Intended role: Vocal pickup
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Transducer: Electret condenser · Pattern: Half-cardioid · Frequency response: 20 Hz–20 kHz
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Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–15 kHz
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Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–15 kHz
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Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
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Transducer: Electret condenser · Pattern: Cardioid · Frequency response: 40 Hz–20 kHz
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Transducer: Ribbon · Pattern: Figure-eight · Modes: VT passive / +dB active
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Architecture: Studio ribbon microphone · Type: Passive ribbon · Pattern: Figure-eight
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Type: Transformerless FET condenser · Patterns: Cardioid, omni and figure-eight · High-pass filter: 70 Hz
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Architecture: Transformer-balanced condenser · Pickup patterns: Cardioid, omni, figure-8 · Type: Large-diaphragm condenser
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