PA system packages
Adamson concert PA package
Adamson S10/S119 concert PA starting system with Lab.gruppen/Lake rack, Midas M32, three QSC K12 monitors and a 16-input band kit. Array design follows the venue.
View packageEQUIPMENT RENTALS
Live sound.
PA speakers, consoles, stageboxes, microphones, wireless systems, monitoring, and live sound support.
161 models and accessories
Send your dates for availability and a rental quote.
Equipment results
PA speakers & subwoofers
Adamson S10
Adamson S10 dual-10-inch line-array cabinet for concert PA, used with S119 subwoofers and Lab.gruppen/Lake system processing.
View detailsPA system packages
Alpha Labs De-Feedback rack package
Real-time vocal processing to help reduce feedback, room reverb and background noise. Available as an SSS rack rental, with optional setup and soundcheck.
View packageMixing consoles
Avid Profile system
Surface: 24 input faders, 8 output faders and main fader · Architecture: Profile surface, FOH Rack and Stage Rack · Maximum input processing: 96 input channels plus 16 stereo effects returns in the Profile system architecture
View detailsPA system packages
Covered Event Stage + Sound package
20 × 16 ft covered SL75 with stairs and skirting + QSC KLA PA; 3 independent monitor mixes. Stage delivery and setup included. Audience coverage is site-planned.
View packagePA system packages
Lectern & Speech Processing package
Adjustable lectern, Shure gooseneck microphone and speech-processing rig; connect to a compatible sound system.
View packagePA system packages
Live Music PA package
2 QSC KW153 mains, 2 KW181 subs, 3 K12 monitors and a complete 16-input band kit.
View packageMixing consoles
Midas M32
Mix architecture: 40 input channels; 25 mix buses · Local microphone preamps: 32 · System expansion: Compatible AES50 stage I/O
View detailsPA system packages
Modular Event Stage + Sound package
12 × 16 ft modular stage with stairs and skirting + QSC point-source PA; 3 independent monitor mixes. Stage delivery and setup included. Audience coverage is site-planned.
View packagePA system packages
Music & Dance PA package
2 QSC K12 powered speakers + 2 QSC KW181 subwoofers for DJ sets and recorded music.
View packagePA system packages
QSC KLA12 live-event PA package
4 QSC KLA12 tops + 2 KLA181 subs, 3 K12 monitors and a 16-input band kit.
View packageMicrophones
sE Electronics RNT
Flagship tube condenser co-developed with Rupert Neve Designs, with 5088-console op-amps and nine polar patterns for detailed vocals, instruments and room capture.
View detailsMixing consoles
Soundcraft Vi4
Control surface: 24 input faders; Vistonics II and FaderGlow · Mix capacity: Up to 96 mono input channels and 35 output buses; depends on system configuration and software · Sample rate: 48 kHz
View detailsPA system packages
Speech & Background PA package
2 QSC K12 powered speakers for spoken word and background music.
View packagePA system packages
Yamaha Stagepas 300
Portable PA · Two 8-inch speakers · Detachable 8-channel powered mixer
View packagePA system packages
Yamaha Stagepas 500
Portable PA · Two 10-inch speakers · Detachable 10-channel powered mixer
View packageStageboxes, snakes & DI
32- and 48-channel audio splits
Channel options: 32 or 48 · Configuration: Split topology and connector layout specified for the system
View detailsPower amps & system processing
Adamson amplifier rack
Lab.gruppen rack for the Adamson S10/S119 system: two PLM 12K44 amplifiers, one PLM 20K44 and Lake processing.
View detailsPA speakers & subwoofers
Adamson S119 subwoofer system
Adamson S119 19-inch subwoofer for the concert PA, deployed with S10 arrays and the dedicated system rack.
View detailsMixing consoles
Allen & Heath analog mixer options
Type: Analog live mixer
View detailsMixing consoles
Allen & Heath C1500 package
Surface: 12 faders across 6 layers · Screen: 12-inch capacitive touchscreen · Local analog I/O: 6 microphone/line inputs and 6 line outputs
View detailsMixing consoles
Allen & Heath GL2400 24-channel mixer
Input frame: 22 mono mic/line + 2 mic/dual-stereo strips · Groups: 4 · Aux sends: 6
View detailsMicrophones
Audio-Technica AT61HE
Microphone for live performance applications.
View detailsMicrophones
Audio-Technica AT853A
Transducer: Permanently polarized condenser · Pattern: Cardioid · Frequency response: 30 Hz–20 kHz
View detailsMicrophones
Audio-Technica AT3035
Transducer: Large-diaphragm condenser · Pattern: Cardioid · High-pass filter: 80 Hz
View detailsMicrophones
Audio-Technica AT4053A
Transducer: Externally polarized condenser · Pattern: Hypercardioid · Frequency response: 20 Hz–20 kHz
View detailsMicrophones
Audio-Technica ATM75
Type: Headworn condenser · Pattern: Cardioid · Wired module: AT8531
View detailsMicrophones
Audio-Technica ATM250DE
Elements: Dynamic and condenser · Patterns: Hypercardioid dynamic; cardioid condenser · Frequency response: 40 Hz–15 kHz dynamic; 40 Hz–20 kHz condenser
View detailsMicrophones
Audix ADX51
Transducer: Pre-polarized condenser · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
View detailsMicrophones
Audix D2
Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 68 Hz–18 kHz
View detailsMicrophones
Audix D6
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 30 Hz–15 kHz
View detailsMicrophones
Audix i5
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–16 kHz
View detailsMicrophones
Audix OM2
Transducer: Dynamic · Pattern: Hypercardioid · Frequency response: 50 Hz–16 kHz
View detailsMicrophones
Audix SCX1
Transducer: Condenser · Pattern: Cardioid, standard SCX1 capsule · Frequency response: 40 Hz–20 kHz
View detailsMixing consoles
Avid SC48
Onboard analog inputs: 48 microphone/line inputs · Control surface: 26 motorized faders · Computer connection: Legacy FireWire recording/playback; requires a compatible host and software
View detailsStageboxes, snakes & DI
Behringer S16
Microphone inputs: 16 remotely controlled preamps · Analog outputs: 8 balanced XLR · Audio network: AES50; compatible mixer, sample rate and cabling required
View detailsMixing consoles
Behringer WING Compact
Mix channels: 48 stereo-capable channels · Buses: 28 stereo buses · Local analog I/O: 24 microphone preamps; 8 outputs
View detailsMixing consoles
Behringer X32
Mix architecture: 40 inputs; 25 buses · Local microphone preamps: 32 · Surface: 25 motorized faders
View detailsMixing consoles
Behringer X32 Rack
Mix architecture: 40 inputs; 25 buses · Local microphone preamps: 16 · Format: Rack mixer; remote control rather than a full fader surface
View detailsMicrophones
beyerdynamic M160
Hypercardioid double-ribbon microphone for rounded guitar-cabinet and cymbal tones, clear attack and focused pickup.
View detailsMicrophones
beyerdynamic M201
Transducer: Moving-coil dynamic · Pattern: Hypercardioid · Frequency response: 40 Hz–18 kHz
View detailsStage monitoring & communications
Clear-Com communications package
Function: Production crew intercom · Configuration: Stations, headsets, power and routing specified for the job
View detailsPA speakers & subwoofers
Community MVP35
Format: Passive two-way · LF driver: 15 inches · Nominal impedance: 8 Ω
View detailsOutboard processing
dbx 166XL
Channels: 2; dual mono or stereo coupled · Processing: Compressor, expander/gate and separate PeakStop limiter · Compressor response: OverEasy or hard knee; manual/Auto timing
View detailsOutboard processing
dbx 231
Channels: Two 31-band, one-third-octave channels · Range: Selectable ±6 or ±12 dB · Low cut: 50 Hz, 12 dB/octave
View detailsOutboard processing
dbx 266XL
Channels: 2; dual mono or stereo linked · Compressor ratio: 1:1 through ∞:1 · Expander/gate ratio: 1:1 through 4:1
View detailsOutboard processing
dbx 266XS
Channels: Two, independent or stereo-linked · Dynamics: Compressor and expander/gate · Compression: OverEasy or hard-knee operation
View detailsPower amps & system processing
dbx DriveRack PX
Inputs: 2 balanced XLR line inputs + front RTA mic input · Outputs: 2 XLR main + 2 XLR sub outputs · DSP: Crossover/filtering, EQ, AFS feedback control and dynamics
View detailsMicrophones
Drum microphone package
Selection: Matched to drum sizes and required channels · Support: Mounts, stands and connection requirements specified together
View detailsMicrophones
Electro-Voice ND96
Transducer: Large-diaphragm dynamic · Pattern: Supercardioid · Control: Vocal presence emphasis switch
View detailsPA speakers & subwoofers
Electro-Voice SXA250
Format: Powered two-way · LF driver: 15 inches · Coverage: 80° horizontal × 55° vertical
View detailsStageboxes, snakes & DI
EWI LDB-101
Channels: One active DI channel · Input: Quarter-inch TS with parallel thru · Output: Transformer-balanced XLR
View detailsOutboard processing
Graphic equalizers
Function: Graphic equalization for PA mains and monitor feeds
View detailsPA speakers & subwoofers
JBL PRX518S
Format: Self-powered bass-reflex subwoofer · Driver: 18-inch JBL 2044E · Amplifier: 500 W continuous / 1000 W peak manufacturer rating
View detailsPA speakers & subwoofers
JBL SRX718S
Format: Passive bass-reflex subwoofer · Driver: 18 inches · Nominal impedance: 8 Ω
View detailsPower amps & system processing
Lab.gruppen PLM12K44
Amplifier channels: 4 · Total burst power: 12,000 W across all channels; allocation controlled by RPM · Per-channel output: 3,000 W at 4 Ω / 1,900 W at 8 Ω, maximum all-channels-driven figures
View detailsPower amps & system processing
Lab.gruppen PLM20K44
Amplifier channels: 4 · Total burst power: 20,000 W across all channels; allocation controlled by RPM · Per-channel output: 4,400 W at 4 Ω / 2,300 W at 8 Ω, maximum all-channels-driven figures
View detailsMicrophones
Lauten Audio LT-321 Horizon
Fixed-cardioid tube condenser with a full-bodied voice and selectable −10/−20 dB pads for vocals, acoustic instruments and cabinets.
View detailsMicrophones
Lauten Audio Snare Mic
Compact cardioid condenser for snare body and stick attack, with onboard filters to manage cymbal spill and low-frequency bleed.
View detailsMicrophones
Live performance microphone package
Selection: Vocals, instruments and direct inputs as required · Planning: Input list, mounting and console patch
View detailsMixing consoles
Mackie 802VLZ4
Inputs: 8-channel analog layout; 3 Onyx microphone preamps · Mic gain: Up to 60 dB · Channel EQ: 3-band: 80 Hz, 2.5 kHz, 12 kHz
View detailsPA speakers & subwoofers
Mackie SRM350
Format: Powered two-way loudspeaker · LF driver: 10 inches · Use: Main PA or floor monitor
View detailsStageboxes, snakes & DI
Midas DL16
Microphone inputs: 16 remotely controlled Midas preamps on XLR · Analog outputs: 8 balanced XLR · Audio network: Dual AES50 ports; 44.1/48 kHz operation
View detailsStageboxes, snakes & DI
Midas DL32
Microphone inputs: 32 remotely controlled preamps on balanced XLR · Analog outputs: 16 balanced XLR line outputs · Digital audio: 24-bit; 44.1/48 kHz
View detailsStageboxes, snakes & DI
Midas DL153
Analog I/O: 16 balanced XLR microphone/line inputs; 8 balanced XLR line outputs · Rack format: 2U · Digital connections: AES50 with redundant network facilities
View detailsStageboxes, snakes & DI
Midas DL431
Analog microphone/line inputs: 24 · Analog outputs: 72 · Per-input preamplifiers: Two independently controlled preamps plus a fixed-gain preamp path
View detailsMixing consoles
Midas Pro2C
Processing: 64 input channels · Mix buses: 27 · Sample rate: 96 kHz
View detailsMixing consoles
Midas ProX
Processing: 168 input channels · Mix buses: 99 · Sample rate: 96 kHz
View detailsPower amps & system processing
miniDSP UMIK-1
Pattern: Omnidirectional · Connection: USB Audio Class 1.0 · Calibration: Serial-specific 0° and 90° files
View detailsOutboard processing
Nady two-channel graphic equalizer
Type: Two-channel graphic equalizer
View detailsMicrophones
Neumann KMS 104 Plus
Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
View detailsPower amps & system processing
PA crossover options
Configuration: Matched to speaker models and amplifier channels
View detailsOutboard processing
Peavey 31FX
Channels / bands: 1 channel; 31 constant-Q bands · EQ range: 20 Hz–20 kHz; ±15dB per band · High-pass: 5–200 Hz variable; 12dB/octave
View detailsPower amps & system processing
Peavey GPS1500
Channels: 2 · 8Ω power: 280 W per channel, 20 Hz–20 kHz at 0.02% THD · 4Ω power: 500 W per channel, 20 Hz–20 kHz at 0.03% THD
View detailsPower amps & system processing
Peavey GPS2600
Channels: 2 · 8Ω output: 650 W per channel, 1 kHz, <0.1% THD · 4Ω output: 950 W per channel, 1 kHz, <0.1% THD
View detailsPA speakers & subwoofers
Peavey PR15FX
Peavey PA cabinet for portable event sound.
View detailsPA speakers & subwoofers
Peavey SP2
Type: Passive full-range loudspeaker · LF section: 15-inch Black Widow
View detailsPA speakers & subwoofers
Peavey SP2G
Type: Passive full-range loudspeaker · LF section: 15-inch Black Widow · Frequency response: 65 Hz–17.5 kHz
View detailsPA speakers & subwoofers
Peavey SP4
Type: Passive full-range loudspeaker · LF section: Two 15-inch Black Widow woofers · System connection: Full-range or bi-amp operation
View detailsPA speakers & subwoofers
Peavey SP4X
Type: Passive full-range loudspeaker · LF section: Two 15-inch Black Widow woofers · Frequency response: 51 Hz–16 kHz
View detailsPA speakers & subwoofers
Peavey SP5
Type: Passive full-range loudspeaker · LF section: 15-inch woofer
View detailsPA speakers & subwoofers
Peavey SP5X
Type: Passive full-range loudspeaker · LF section: 15-inch Scorpion Plus · Frequency response: 68 Hz–16 kHz, ±3 dB
View detailsMixing consoles
Peavey XR600G
Mic inputs: 6 low-impedance mic preamps · Line inputs: 7 · Amplification: 210 W RMS per channel at 4 Ω; 150 W RMS per channel at 8 Ω
View detailsMixing consoles
Peavey XR684F
Mic inputs: 8 · Line inputs: 6 mono and 3 stereo · Amplification: 2×200 W at 4 Ω
View detailsMonitoring & patching
PreSonus HP60
Outputs: Six headphone channels · Shared sources: Two stereo input pairs · Individual feeds: External stereo input per channel
View detailsMixing consoles
PreSonus StudioLive 24.4.2
Microphone/line inputs: 24 · Auxiliary mixes: 10 · Subgroups: 4
View detailsPA speakers & subwoofers
QSC HPR122i
Format: Powered two-way · Drivers: 12-inch LF + compression driver · Nominal coverage: 75° conical
View detailsPA speakers & subwoofers
QSC HPR153i
Format: Powered three-way · Drivers: 15-inch LF + 6.5-inch midrange + compression driver · Nominal coverage: 90° horizontal × 40° vertical
View detailsPA speakers & subwoofers
QSC HPR181i
Driver: 18-inch woofer · Amplifier: 700 W Class H · Frequency response: 45–95 Hz, −3 dB
View detailsPA speakers & subwoofers
QSC K-SUB
Format: Dual-12-inch fourth-order bandpass · Amplifier: 1000 W continuous Class D manufacturer rating · Frequency response: 48–134 Hz, −6 dB
View detailsPA speakers & subwoofers
QSC K12
Format: Powered 12-inch two-way · Coverage: 75° conical · Amplifier: 1000 W continuous Class D manufacturer rating
View detailsPA speakers & subwoofers
QSC KLA12
Format: Powered two-way line-array element · LF driver: 12 inches · Coverage: 90° horizontal × 18° vertical
View detailsPA speakers & subwoofers
QSC KLA181
Format: Powered vented subwoofer · Driver: 18 inches · Amplifier: 1000 W module
View detailsPA speakers & subwoofers
QSC KW122
Format: Two-way powered · LF/MF section: 12-inch · Coverage: 75° axisymmetric
View detailsPA speakers & subwoofers
QSC KW152
Format: Two-way powered · LF/MF section: 15-inch · Coverage: 60° axisymmetric
View detailsPA speakers & subwoofers
QSC KW153
Format: Three-way powered · LF/MF section: 15-inch LF; 6.5-inch midrange · Coverage: 75° axisymmetric
View detailsPA speakers & subwoofers
QSC KW181
Driver: 18 inches · Amplifier: 1000 W continuous Class D manufacturer rating · Frequency response: 40–112 Hz, −6 dB
View detailsPower amps & system processing
QSC PLX1602
Channels: 2 · 8Ω output: 300 W per channel, 20 Hz–20 kHz, 0.03% THD · 4Ω output: 500 W per channel, 20 Hz–20 kHz, 0.05% THD
View detailsPower amps & system processing
QSC PLX2402
Channels: 2 · 8Ω output: 425 W per channel, 20 Hz–20 kHz, 0.03% THD · 4Ω output: 700 W per channel, 20 Hz–20 kHz, 0.05% THD
View detailsPower amps & system processing
QSC PLX3402
Channels: 2 · 8Ω output: 700 W per channel, 20 Hz–20 kHz, 0.03% THD · 4Ω output: 1,100 W per channel, 20 Hz–20 kHz, 0.05% THD
View detailsPower amps & system processing
QSC PLX3602
Channels: 2 · 8Ω / 4Ω output: 725 W / 1,100 W per channel, 20 Hz–20 kHz, 0.05% THD · Inputs: Balanced XLR and 1/4-inch TRS
View detailsPower amps & system processing
QSC RMX1450
Channels: 2 · 8Ω / 4Ω output: 260 W / 400 W per channel, 20 Hz–20 kHz, 0.1% THD · 8Ω bridged output: 800 W, 20 Hz–20 kHz, 0.1% THD
View detailsPower amps & system processing
QSC RMX1850HD
Channels: 2 · 8Ω / 4Ω output: 350 W / 550 W per channel, 20 Hz–20 kHz, 0.1% THD · 8Ω bridged output: 1,100 W, 20 Hz–20 kHz, 0.1% THD
View detailsPower amps & system processing
QSC RMX5050
Channels / format: 2 channels; 3U rack · 8Ω / 4Ω output: 1,050 W / 1,600 W per channel, 20 Hz–20 kHz, 0.1% THD · 8Ω bridged output: 3,200 W, 20 Hz–20 kHz, 0.1% THD
View detailsStageboxes, snakes & DI
Radial Catapult Mini RX
Channels: Four balanced analog channels · Network-style connector: RJ45, analog wiring rather than Ethernet audio · XLR connections: Male outputs
View detailsStageboxes, snakes & DI
Radial Catapult Mini TX
Channels: Four balanced analog channels · Network-style connector: RJ45, analog wiring rather than Ethernet audio · XLR connections: Female inputs
View detailsStageboxes, snakes & DI
Radial J48
DI type: Active · Circuit: Active analog, mono · Power: 48V phantom
View detailsStageboxes, snakes & DI
Radial JDI
DI type: Passive · Circuit: Mono passive transformer DI · Transformer: Jensen JT-DB-EPC
View detailsStageboxes, snakes & DI
Radial Pro48
Circuit: Mono active analog DI · Power: 48V phantom · Connections: 1/4-inch input/thru; balanced XLR output
View detailsStageboxes, snakes & DI
Radial stereo passive DI
Type: Stereo passive direct box · Selection: Source connectors and console inputs determine cabling
View detailsOutboard processing
Rane Mojo MQ302
Channels: Linked stereo; shared controls · Bands: 30 bandpass filters · Inputs: Balanced XLR or balanced/unbalanced 1/4-inch TRS
View detailsPower amps & system processing
Rupert Neve Designs 5045
Architecture: Two-channel analog dynamics processor · Processing: Threshold-based attenuation with adjustable depth and timing · Channels: Two
View detailsStageboxes, snakes & DI
Rupert Neve Designs RNDI-S
Channels: Two active DI channels · Instrument inputs: Two 1/4-inch inputs, 2.2 MΩ · Additional input: 3.5 mm stereo
View detailsPower amps & system processing
SA-3050A analyzer
Analysis: 30 one-third-octave bands · Display: 9×30 LED array; 1dB resolution · Measurement tools: Pink-noise generator, peak hold and SPL readout
View detailsStands & acoustics
sE Electronics guitaRF
Function: Acoustic reflection filter and mic mount · Mounting: Dual-microphone positioning · Adjustments: Height, horizontal position and depth
View detailsMicrophones
sE Electronics X1-R
Transducer: Passive ribbon · Pattern: Figure-eight · Frequency range: 20 Hz–16 kHz
View detailsMicrophones
Sennheiser e604
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
View detailsMicrophones
Sennheiser e609
Transducer: Dynamic · Pattern: Supercardioid · Connection: 3-pin XLR
View detailsMicrophones
Sennheiser e906
Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 40 Hz–18 kHz
View detailsMicrophones
Sennheiser e935
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–18 kHz
View detailsStage monitoring & communications
Sennheiser EW300 G3 IEM system
System: SR 300 IEM G3 transmitter / EK 300 IEM G3 receiver family · Transmitter inputs: Two balanced XLR/1/4-inch combo inputs · Routing: Balanced loop outputs
View detailsMicrophones
Shure Beta 52A
Transducer: Dynamic · Pattern: Supercardioid · Frequency response: 20 Hz–10 kHz
View detailsMicrophones
Shure Beta 57
Intended role: Instrument pickup
View detailsMicrophones
Shure Beta 58
Intended role: Vocal pickup
View detailsWireless microphones
Shure Beta 87A wireless capsule
Element: Electret condenser vocal capsule · Pattern: Supercardioid · Product type: Removable wireless microphone head
View detailsMicrophones
Shure Beta 91A
Transducer: Electret condenser · Pattern: Half-cardioid · Frequency response: 20 Hz–20 kHz
View detailsWireless microphones
Shure SLX wireless microphone system
Generation: Original SLX analog wireless · Receiver: SLX4, single microphone channel · Audio outputs: XLR and 1/4-inch; receiver output-level adjustment
View detailsMicrophones
Shure SM57
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 40 Hz–15 kHz
View detailsMicrophones
Shure SM58
Transducer: Dynamic · Pattern: Cardioid · Frequency response: 50 Hz–15 kHz
View detailsMicrophones
Shure SM81
Transducer: Condenser · Pattern: Cardioid · Frequency response: 20 Hz–20 kHz
View detailsMonitoring & patching
Shure SRH1840
Design: Open-back dynamic · Driver: 40 mm · Impedance: 65 Ω at 1 kHz
View detailsWireless microphones
Shure ULXS receiver
Model family: ULXS4 / original ULX Standard · Receiver channels: 1 · Reception: Diversity
View detailsWireless microphones
Shure UR4D+ wireless microphone system
Channels / format: 2 receiver channels; 1U rack · Audio outputs: Per-channel balanced XLR and impedance-balanced 1/4-inch · XLR level: Selectable mic/line level
View detailsMicrophones
Shure WH30
Transducer: Electret condenser · Pattern: Cardioid · Frequency response: 40 Hz–20 kHz
View detailsMonitoring & patching
Sony MDR-7506
Design: Closed-back dynamic · Drivers: 40 mm · Impedance: 63 Ω at 1 kHz
View detailsOutboard processing
Symetrix 421M
Function: Single-channel AGC leveler · Mic input: XLR with switchable 48 V phantom · Line input: Balanced TRS and screw terminals
View detailsOutboard processing
Symetrix 425
Channels: 2; independent or stereo coupled · Processing: Downward expander, RMS compressor and peak limiter · Compression ratio: 1:1–10:1
View detailsOutboard processing
TC Electronic M-One XL
Engines: 2 effects engines · Analog I/O: Balanced stereo XLR · Digital I/O: 24-bit S/PDIF on RCA
View detailsOutboard processing
TC Electronic M350
Effects: 15 reverb types + 15 delay/effects types · Engines: 2; serial or dual-input routing · Analog I/O: Balanced stereo 1/4-inch
View detailsMicrophones
Warm Audio Fen-tone
Transducer: Ribbon · Pattern: Figure-eight · Modes: VT passive / +dB active
View detailsMicrophones
Warm Audio WA-44
Architecture: Studio ribbon microphone · Type: Passive ribbon · Pattern: Figure-eight
View detailsMicrophones
Warm Audio WA-47jr
Type: Transformerless FET condenser · Patterns: Cardioid, omni and figure-eight · High-pass filter: 70 Hz
View detailsMicrophones
Warm Audio WA-87 R2
Architecture: Transformer-balanced condenser · Pickup patterns: Cardioid, omni, figure-8 · Type: Large-diaphragm condenser
View detailsOutboard processing
Waves Impact Server
Function: External SoundGrid plugin processing · Connection: SoundGrid Ethernet network · Audio interface: Separate compatible interface or console connection required
View detailsOutboard processing
Waves Mobile Server
Function: SoundGrid plugin-processing server · Sample rates: 44.1, 48, 88.2 and 96 kHz in original hardware specification · Network: RJ45 Ethernet connection to SoundGrid network
View detailsStageboxes, snakes & DI
Whirlwind four-channel Cat5e system
Channels: 4 · Cable family: Cat5e
View detailsWireless microphones
Wireless antenna distribution
Function: Wireless microphone RF antenna distribution · Configuration: Matched band, receiver count, antenna type and cable runs
View detailsWireless microphones
Wireless headset and lavalier microphones
Formats: Headset and lavalier options · Compatibility: Bodypack connector, wiring and microphone bias must match
View detailsPA speakers & subwoofers
Yamaha DBR10
Format: Powered two-way bass reflex · LF driver: 10 inches · Coverage: 90° horizontal × 60° vertical
View detailsMixing consoles
Yamaha MG06X
Inputs: 2 mono mic/line + 2 stereo line pairs · Mic preamps: 2 · Effects: 6 SPX effect programs
View detailsMixing consoles
Yamaha MG12XU
Input capacity: Up to 6 microphones / 12 line inputs · Routing: Stereo bus + 2 group buses · Aux sends: 2, including FX send
View detailsStageboxes, snakes & DI
Analog stage snakes and drop snakes
Channel options: 8, 12, 16 and 24 channels · Main snake length: 100 ft · Drop snake: 16 × 4, 50 ft
View detailsCables & adapters
Audio connector adapters
Connector options: 1/4-inch, RCA, XLR and speakON · XLR adapters: Male-to-male and female-to-female
View detailsCables & adapters
Event network cables and reels
Shielded Cat5 reel: 150 ft · Unshielded Cat5 reel: 250 ft · Cat6 snake: 6 inputs / 6 outputs
View detailsCables & adapters
Instrument and audio patch cables
Instrument cable lengths: 3, 10, 20 and 30 ft · Balanced patch option: 10 ft TRS-to-XLR male · Insert cable option: 10 ft TRS-to-dual-TS
View detailsStands & acoustics
Microphone mounts and drum clips
Options: LP Claw; On-Stage D50 drum clips
View detailsStands & acoustics
Microphone stands
Formats: Tall boom, short boom, straight and tabletop boom · Base options: Round and triangular
View detailsCables & adapters
MIDI cables
Function: MIDI data connections
View detailsCables & adapters
Speaker cables
Lengths: 3, 10, 25, 50 and 100 ft · Connector options: 1/4-inch, speakON and banana
View detailsStands & acoustics
Speaker stands
Function: Support for compatible loudspeakers
View detailsCables & adapters
XLR microphone cables
Options: Individual XLR leads and coordinated cable packages · Lengths: 3, 10, 20, 25, 30, 50 and 100 ft
View detailsPA, backline, recording, lighting, video, stages & power
Rent pro audio equipment with optional delivery, setup, and engineers. Sound systems range from powered speakers to line arrays and subwoofers.
Request wireless handheld, lapel/lavalier, and lectern microphones; digital mixing consoles and stageboxes from Behringer X32/WING, Midas, Allen & Heath, and Yamaha; and in-ear monitor (IEM) systems or stage monitor wedges.
Include essential models and connection requirements so we can check compatibility. Explore sound system rentals and crewed event production.
Plan the full setup: PA and sound system rental · Full live sound and event production · Backline rental and delivery · Portable and mobile stage rentals · Recording sessions and live capture