Camera audio & sync
Deity TC-1
Timecode: SMPTE timecode · Connection: Locking 3.5 mm TRS timecode I/O · Sync: Wireless or wired jam sync
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Capture matching performance angles with 5.7K ProRes RAW, 5.8K open gate, V-Log or ARRI LogC3 options.
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Use two LUMIX GH7 bodies for coordinated wide and close shots. Their 5.8K 4:3 open-gate mode leaves room to make widescreen and vertical versions from a shot. A separate 5.7K internal ProRes RAW HQ mode gives the grade more latitude; internal ProRes 422 HQ supports an efficient edit. The activated ARRI LogC3 option helps match compatible footage shot in LogC3 on ARRI cameras, while V-Log supports a LUMIX log workflow. Match exposure and color references across the other camera angles for a cohesive grade. These are distinct recording options chosen for the deliverable, frame rate and media, not simultaneous formats. With a Panasonic DMW-XLR2 adapter, the GH7 can also record 32-bit float audio when the microphones and inputs are set correctly.
Typical uses: Multicamera concert films · Artist EPK sessions · Interviews and presentation coverage
Product references: Panasonic LUMIX GH7 product information · Panasonic LUMIX GH7 upgrade-key specifications · Panasonic GH7 open-gate and V-Log modes · Panasonic GH7 internal ProRes RAW recording
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Camera audio & sync
Timecode: SMPTE timecode · Connection: Locking 3.5 mm TRS timecode I/O · Sync: Wireless or wired jam sync
View detailsCamera audio & sync
Record wide changes in performance levels with 32-bit float camera audio on a LUMIX GH7.
View detailsCameras, lenses & support
Tool type: Physical video color-reference target
View detailsCameras, lenses & support
Support type: Tripod with fluid pan-and-tilt head · Selection requirements: Complete rig weight, working height, surface and plate interface
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