Cameras, lenses & support
DJI RS 4
Type: Three-axis handheld camera stabilizer · Tested payload: 3 kg / 6.6 lb · Shooting orientation: Supports native vertical configuration
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25 models and accessories
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Cameras, lenses & support
Type: Three-axis handheld camera stabilizer · Tested payload: 3 kg / 6.6 lb · Shooting orientation: Supports native vertical configuration
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Mount: Micro Four Thirds · Focal length: 42.5 mm; 85 mm full-frame equivalent angle of view · Maximum aperture: f/1.2
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Mount: Micro Four Thirds · Focal length: 10–25 mm; 20–50 mm full-frame equivalent angle of view · Maximum aperture: f/1.7 throughout zoom range
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Add a stabilized 4K angle or event stills to a multicamera shoot.
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Add a low-light 4K performance or interview angle with V-Log L footage ready for color grading.
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Capture matching performance angles with 5.7K ProRes RAW, 5.8K open gate, V-Log or ARRI LogC3 options.
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Adapter type: Optical focal reducer · Compatibility requirements: Lens mount, camera mount, sensor coverage and recording mode
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Tool type: Physical video color-reference target
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Mount: Micro Four Thirds · Focal length: 15 mm · Lens type: Prime
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Support type: Tripod with fluid pan-and-tilt head · Selection requirements: Complete rig weight, working height, surface and plate interface
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Filter type: Optical diffusion · Selection requirements: Diffusion strength and lens-thread or matte-box format
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Mount: Micro Four Thirds · Focal length: 9 mm; 18 mm full-frame equivalent angle of view · Maximum aperture: f/1.7
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Mount: Micro Four Thirds · Focal length: 35–100 mm; 70–200 mm full-frame equivalent angle of view · Maximum aperture: f/2.8 throughout zoom range
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Filter type: Optical diffusion · Selection requirements: Desired strength, focal length and mounting format
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Mount: Micro Four Thirds · Focal length: 45 mm; 90 mm full-frame equivalent angle of view · Maximum aperture: f/1.8
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Mount: Micro Four Thirds · Focal length: 60 mm; 120 mm full-frame equivalent angle of view · Maximum aperture: f/2.8
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Mount: Micro Four Thirds · Focal length: 100–300 mm; 200–600 mm full-frame equivalent angle of view · Maximum aperture: f/4 at wide end; f/5.6 at telephoto end
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Fixture type: Portable RGB video light · Configuration requirements: Output, power, mounting and light shaping
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Camera type: Pan-tilt-zoom
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Mount: Canon EF · Coverage: Full frame · Focal length: 50 mm
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Image circle: APS-C / DC · Focal length: 18–35 mm · Maximum aperture: f/1.8 throughout zoom range
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Lens interface: 95 mm clamp-on or appropriate filter-thread adapter · Filtration: 95 mm circular system; additional rectangular-filter hardware available separately · VND nominal range: ND 0.3–2.7; usable range depends on focal length
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Hand unit: 1.6-inch circular touch screen · Lens drive: Wireless motor control with lens mapping · Motor interface: 0.8 MOD lens gearing
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Focal length: 35 mm · Maximum aperture: f/1.4 · Focus: Manual
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Keep an operated camera balanced and its viewing and focus controls within reach.
View detailsBuild a setup around your camera positions, light and finished video. Match Panasonic LUMIX bodies with suitable lenses, support, external monitoring and timecode, or include live switching and screens.
Tell us which camera and lens mounts, recording formats, media, power and connections you need. Accessories and system compatibility are confirmed in your quote. Explore multicamera production and operated coverage.
Plan the full setup: PA and sound system rental · Full live sound and event production · Backline rental and delivery · Portable and mobile stage rentals · Recording sessions and live capture · Camera and lens production kit